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   <title>UMBC News</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23</id>
   <updated>2013-05-21T22:47:00Z</updated>
   
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<entry>
   <title>UMBC 2013 Spring Commencement Ceremonies</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17314</id>
   
   <published>2013-05-21T22:42:58Z</published>
   <updated>2013-05-21T22:47:00Z</updated>
   
   <summary></summary>
   <author>
      <name>Elyse Ashburn</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      <![CDATA[Contact:
Elyse Ashburn
Director of Communications
eashburn@umbc.edu
410.455.2065

UMBC will hold its Undergraduate Commencement Ceremony on May 23, proceeded by its Graduate Commencement Ceremony on May 22. Nancy Cantor, chancellor and president of Syracuse University, will deliver the Undergraduate Commencement address, and Roger W. Ferguson, Jr., president and CEO of TIAA-CREF, will deliver the Graduate Commencement address. 

Dates and Locations: 
UNDERGRADUATE COMMENCEMENT
 When: Thursday, May 23, 2013. Procession begins at 12:30 p.m., followed by the ceremony at 1 p.m.
 Where: 1st Mariner Arena, 201 West Baltimore Street, Baltimore, MD 21201

GRADUATE COMMENCEMENT
 When: Wednesday, May 22, 2013. Procession begins at 9:50 a.m., followed by the ceremony at 10 a.m.
 Where: UMBC’s Retriever Activities Center (RAC), 1000 Hilltop Circle, Baltimore, MD 21250

Details: At UMBC’s Undergraduate Commencement Ceremony, about 1,400 students will walk and receive their bachelor’s degrees. In addition to delivering the address, Nancy Cantor, chancellor and president of Syracuse University, will receive an honorary Doctor of Science degree for her leadership in reimagining the role that universities play in our communities. 

UMBC’s leaders, faculty, staff and students have benefitted from Chancellor Cantor’s thoughtful leadership on many of the most pressing issues facing universities today, including how to support and promote public scholarship, sustainability and diversity. Prior to her appointment at Syracuse, Chancellor Cantor served as chancellor of the University of Illinois at Urbana-Champaign and provost and executive vice president for academic affairs at the University of Michigan. While at Michigan, Chancellor Cantor was closely involved in the university's defense of affirmative action in the cases Grutter v. Bollinger and Gratz v. Bollinger, decided by the Supreme Court in 2003.

At its Graduate Commencement Ceremony, UMBC will award almost 200 master’s degrees and 44 Ph.D.’s. In addition to delivering the address, Roger W. Ferguson, Jr., president and CEO of TIAA-CREF, will receive an honorary Doctor of Public Service degree for his leadership in securing our nation’s financial future. TIAA-CREF is a Fortune 100 financial services organization and the leading retirement provider for workers in the academic, research, medical and cultural fields. In addition to leading TIAA-CREF, Dr. Ferguson has served as Vice Chairman of the Federal Reserve System’s Board of Governors and as a member of President Obama’s Council on Jobs and Competitiveness.

More information about the commencement ceremonies is available <a href="http://www.umbc.edu/NewsEvents/Commencement/">here</a>.
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<entry>
   <title>UMBC and the Maryland Energy Administration Announce Partnership to Assess Maryland’s Wind Resources</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17313</id>
   
   <published>2013-05-20T14:22:17Z</published>
   <updated>2013-05-20T14:23:55Z</updated>
   
   <summary></summary>
   <author>
      <name>Nicole Ruediger</name>
      
   </author>
   
   
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      <![CDATA[Contact: Nicole Ruediger, UMBC, nruedige@umbc.edu, 410-455-5791
Contact: Devan Willemsen, Maryland Energy Administration, dwillemsen@energy.state.md.us, office, 410-260-7539; cell, 443-694-3651

The University of Maryland, Baltimore County (UMBC) and the Maryland Energy Administration (MEA) announced a new partnership today to advance research for the strategic planning and development of offshore wind energy projects. Under this partnership, UMBC will draw on its expertise with light detection and ranging, or LIDAR, to conduct critical wind speed and direction modeling in the ocean environment.

“This is an excellent opportunity for us to use the skills and expertise of UMBC’s world-class LIDAR research group to characterize Maryland’s offshore wind resources,” says William LaCourse, dean of UMBC’s College of Natural and Mathematical Sciences. 
Traditionally, large meteorological towers driven into the seabed were required to measure wind speed and direction offshore at the height of a wind turbine rotor.  Data developed by these towers is very reliable; however they can only provide data at a single geographic point. Now, offshore wind stakeholders around the world are utilizing LIDAR to develop mobile remote sensing systems that can provide wind speed and directional data wherever it is needed in an ocean environment.

“The passage of the Maryland Offshore Wind Energy Act of 2013 is a big win for our State: a win for jobs, a win for consumers, a win for business, and a win for our energy future—an energy future which is cleaner, greener, and more sustainable,” said Abigail Ross Hopper, Acting Director of the Maryland Energy Administration. “The research gathered by this partnership will allow our state to reap the economic and environmental, clean energy benefits of offshore wind.”

LIDAR technology shoots lasers into the air and measures the reflection and refraction of that energy as the laser bounces off aerosols or small dust particles in the air. By tracking the “red shift” or Doppler effect of this energy, researchers can characterize the speed, power and direction of airborne particles carried by the wind. Unlike a traditional anemometer, which only provides data at a single altitude, LIDAR can provide accurate information about wind shear, or differences in wind speed at different altitudes.

 “LIDAR remote sensing is an efficient and economical alternative that allows us to measure winds across several heights, from the ocean surface to above the full height of the tallest turbines built,” Ruben Delgado, a UMBC researcher and principal investigator on the initiative added. 
The contract, which is funded for $890,000, is expected to last 3 years. *Please note that this is a different program than the Maryland Offshore Wind Energy Research Challenge Grant Program.

<strong>UMBC</strong>
UMBC combines the emphasis on teaching found at the best liberal arts colleges with the innovation of a research university. Our 13,000 undergraduate and graduate students come from more than 150 countries and take full advantage of the educational, business, cultural and recreational resources of Baltimore and Washington, D.C. UMBC students work alongside faculty who are leaders in their fields; think about the hard questions of society, science and creative expression; and then move beyond the classroom to make a difference. The Carnegie Foundation ranks UMBC in the category of universities with high research activity. UMBC is a member of the University System of Maryland and is accredited by the Middle States Association of Colleges and Secondary Schools.

<strong>MEA </strong>
The Maryland Energy Administration's (MEA) mission is to assist Maryland citizens and businesses to save money through smart investments in energy efficiency, renewable energy and conservation. A Maryland state agency, MEA fuels the creation of green jobs by providing funds and resources to expand the use and availability of clean, safe energy in Maryland.






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<entry>
   <title>UMBC Ranks 10th on Peace Corps’ List of Top Paul D. Coverdell Fellows Programs </title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17272</id>
   
   <published>2013-05-07T17:12:37Z</published>
   <updated>2013-05-07T17:16:10Z</updated>
   
   <summary></summary>
   <author>
      <name>Elyse Ashburn</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      <![CDATA[Contact:
Elyse Ashburn
Director of Communications, UMBC
410.455.2065
eashburn@umbc.edu

WASHINGTON, D.C. – University of Maryland, Baltimore County (UMBC) ranks No. 10 on Peace Corps’ 2013 list of top Coverdell Fellows programs. Currently, there are 16 returned Peace Corps volunteers enrolled in the UMBC Coverdell Fellows program, which was established in 2004. 

“Every year, hundreds of Peace Corps volunteers make a difference by combining meaningful service with graduate studies through Peace Corps’ Master’s International and Coverdell Fellows programs,” said Peace Corps Deputy Director Carrie Hessler-Radelet. “After completing Peace Corps service, volunteers return to the United States as global citizens, with leadership, cross-cultural understanding, and language and technical skills that position them for success in today’s global job market.” 

The Peace Corps’ Coverdell Fellows program provides returned Peace Corps volunteers (RPCVs) with scholarships, academic credit, and stipends to earn an advanced degree after they complete their Peace Corps service, and the Master’s International program allows students to earn their graduate degree while serving in the Peace Corps. Since 2004, 25 UMBC students have completed the Coverdell Fellows program. Since 1961, 213 UMBC alumni have served in the Peace Corps, with seven UMBC alumni currently serving overseas. 

<a href="http://www.shrivercenter.org/programs/peaceworker/">UMBC Shriver Peaceworker Fellows Program</a> is a two-year program integrating graduate study, community service, and ethical reflection that enables fellows to adapt their experience as Peace Corps volunteers to solving problems confronting urban America. Fellows can complete degrees in Community Planning, Master of Arts, Master of Science, Public Policy and Social Work. Fellowships cover tuition, health insurance, and a living stipend of approximately $13,000 per year for two years of graduate study. 

Joey Brown, a Shriver Peaceworker Fellow and returned Peace Corps volunteer, Samoa, 2008-2010, is pursuing a Master’s in Public Policy, Urban Policy Concentration, at UMBC. 

“My [Peace Corps] service largely guided my graduate pursuits in two ways. It instilled in me a great appreciation for the role communities have in changing the world for the better,” Brown said. “It also made it very clear that no matter where you are in the world, if you are working for social change or to change the status quo, you have to understand the system of government and the politics at all levels in order to be effective. That is what drove me to pursue a Masters in Public Policy.” 

To view the full ranking of Master’s International and Coverdell Fellows programs, <a href="http://files.peacecorps.gov/images/news/releases/13_PRS__Top%20MIFELLOWS.pdf">click here</a>.
 
<strong>About Coverdell Fellows</strong>: Peace Corps partners with more than 80 colleges and universities nationwide to offer RPCVs an opportunity to earn their graduate or doctorate degree at a reduced cost. In return for financial benefits like reduced tuition, assistantships, and stipends, RPCVs will put the skills they learned in the Peace Corps to work in professional internships in underserved American communities. Volunteers who have successfully completed their Peace Corps service have lifetime eligibility for Coverdell Fellows. The program was started in 1985 at Teachers College, Columbia University and since then, more than 4,000 Peace Corps volunteers have completed the program. For more information, visit www.peacecorps.gov/fellows.

<strong>About the Peace Corps</strong>: Since President John F. Kennedy established the Peace Corps by executive order on March 1, 1961, more than 210,000 Americans have served in 139 host countries. Today, 8,073 volunteers are working with local communities in 76 host countries in agriculture, community economic development, education, environment, health and youth in development. Peace Corps volunteers must be U.S. citizens and at least 18 years of age. Peace Corps service is a 27-month commitment and the agency’s mission is to promote world peace and friendship and a better understanding between Americans and people of other countries. Visit www.peacecorps.gov for more information.
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</entry>
<entry>
   <title>Zombies Are Scary. Finding a Career Shouldn&apos;t Be.</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17215</id>
   
   <published>2013-03-28T21:34:32Z</published>
   <updated>2013-03-28T21:40:12Z</updated>
   
   <summary></summary>
   <author>
      <name>Elyse Ashburn</name>
      
   </author>
   
   
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      <![CDATA[Contact:
Roland King
Communications Manager
410-455-1896
rking@umbc.edu

These days, we find ourselves preparing for almost everything, from natural disasters to a not-so-probable zombie apocalypse. At UMBC, we are working to make sure that our students are preparing for the one challenge they’ll definitely face: a highly competitive job market.

While zombies may be scary, we believe that finding a career shouldn’t be. Borrowing from the successful Centers for Disease Control and Prevention (CDC) campaign, UMBC is hosting a zombie-themed Career Week to help students explore their career options and prepare for successful entry into the workforce.

UMBC’s Career Week, which runs April 1-4, is designed to engage all students, from freshman to graduating seniors, in exploring career options. “One of our top goals is to reach students earlier so that they have more time to explore different career paths and prepare for life after graduation,” said Caroline Baker, Assistant Vice President of Careers and Corporate Partnerships. “We want to make career planning less intimidating and more fun.”

Career Week will include workshops and professional presentations by alumni and employers on topics such as public speaking, networking and financial planning. UMBC is also offering the first-ever “Clothes the Deal” event on March 28 and 29 where students can select men’s and women’s business attire, for free, to help them make the best possible first impression when interviewing or networking. 

Career Week will be capped off by a large career fair on April 4 where students can learn about summer, part-time and full-time job opportunities. For a full list of events, please see our online calendar. UMBC’s Career Week is generously supported by T. Rowe Price Foundation, Inc.

With proper planning and preparation, students can enter the job market with all the skills they will need to succeed.

For more information on Career Week, please visit <a href="http://careers.umbc.edu/careerweek">http://careers.umbc.edu/careerweek</a>. If you are interested in visiting UMBC to interview some of the participating students or would like to speak with Caroline Baker, please contact Roland King, rking@umbc.edu or 410-455-1896.
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</entry>
<entry>
   <title>UMBC President Freeman Hrabowski Named the “2013 Black Engineer of the Year”</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17136</id>
   
   <published>2013-02-06T22:48:06Z</published>
   <updated>2013-02-06T22:51:20Z</updated>
   
   <summary></summary>
   <author>
      <name>Elyse Ashburn</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      Contact:
Elyse Ashburn
Director of Communications
410.455.2065
eashburn@umbc.edu

The Black Engineer of the Year Award (BEYA) STEM Conference has named President Freeman Hrabowski its “Black Engineer of the Year,” an honor that recognizes UMBC’s success in helping students from all backgrounds succeed in science, technology, engineering and math.

The BEYA conference is the nation’s largest gathering of STEM professionals and leaders committed to increasing the percentage of underrepresented minorities in the technological workforce. The conference enables leaders in industry, education and government to join professionals and students in addressing the challenges of recruitment and retention in the STEM fields.

“Jobs in the sciences, technology and engineering are among the fastest growing and most crucial to America’s continued success in a global economy – but too few students are succeeding in those fields,” said President Hrabowski. “I am delighted to see many of our nation’s best minds coming together to address this pressing challenge, and I’m honored to share what we’ve learned at UMBC.”

UMBC’s Meyerhoff Scholars Program, started 25 years ago, has become a national model for diversifying America’s scientific and engineering workforce. The program began with the idea of increasing not only the number of underrepresented minority students completing graduate degrees and working in the sciences and engineering, but also the number who are leaders in their fields. The approach used in the Meyerhoff Scholars Program – setting high expectations, building community among students and involving students deeply in faculty research – has proven so successful that these practices are now applied in classrooms and labs across disciplines.

UMBC is now one of the top universities in the country for the number of African American graduates it sends on to earn Ph.D.s in the STEM fields. In engineering and information technology alone, about 12 percent of our graduates each year are African American students.

“To keep engineering and scientific jobs in the United States, and ensure America maintains her global leadership, we need to inspire a new generation of Americans to pursue STEM careers,” said Tyrone Taborn, BEYA chairman and publisher of US Black Engineer &amp; Information Technology magazine.   “Spotlighting models for success, like UMBC, is critical to doing so.”

This year’s annual BEYA conference, held February 7-9 in Washington, D.C., will bring together students, college administrators, recruiters, engineering and IT professionals, scientists and high-level decision-makers. In addition to President Hrabowski, a number of technology leaders will be recognized for their career achievements and their efforts in strengthening the STEM pipeline.

For more information, visit www.beya.org.
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</entry>
<entry>
   <title>Media Advisory: UMBC and Maryland General Assembly Face Off in &quot;Chess Challenge.&quot;</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17132</id>
   
   <published>2013-02-01T17:46:12Z</published>
   <updated>2013-02-01T17:51:37Z</updated>
   
   <summary></summary>
   <author>
      <name>Nicole Ruediger</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      <![CDATA[<strong>Contact</strong>: Nicole Ruediger, nruedige@umbc.edu, 410-455-5791

<strong>When:</strong> Monday, February 4

<strong>What:</strong> UMBC's chess team will play a friendly match with the members of the Maryland General Assembly

<strong>Full Schedule:</strong>

<strong>8:00 p.m.</strong> The UMBC team will be formally recognized on the floor of the Maryland State Senate with a citation from Senator Ulysses Currie (Associate Vice President Lisa Akchin will be representing Dr. Hrabowski) 

<strong>8:20 p.m. </strong>The UMBC team will be formally recognized on the floor of the Maryland House of Delegates with remarks from Speaker Pro Tem Jones (Associate Vice President Lisa Akchin will be representing Dr. Hrabowski) 

<strong>8:45 p.m</strong>. The UMBC team will play friendly match with the members of the Maryland General Assembly Chess Challenge (5 Senators and 5 Delegates) 

<strong>UMBC Chess Team Background:</strong>
The UMBC chess team recently tied for first place in the Pan-Am Intercollegiate Team Chess Championship, advancing to the 2013 President’s Cup, known as the “Final Four” of chess.

The UMBC chess team headed into the 2012 Pan-Am Intercollegiate Team Chess Championship with a record nine titles to its name. The competition known informally as the Pan-Am, was held December 27 to 30 in Princeton, New Jersey. Since the tournament began in 1946, dozens of universities throughout the Americas have participated. The Retrievers won their first Pan-Am title in 1996, and then embarked on a five-year title streak from 1998 to 2002.

This year, the Retrievers tied for first place with 3 other Universities: University of Texas, Dallas; Webster University, which had 2 teams; and the University of Illinois. “It was an exciting finish. This was the strongest Pan Am in the history of the event. Twenty – three grandmasters as well as 5 teams rated over 2500 competed,” says Alan Sherman, Director of the UMBC Chess Program.

The UMBC team, all on chess scholarships, is composed of students not only with exceptional chess skills but also with strong academic records, Sherman says. UMBC requires students to maintain a 3.0 GPA to maintain chess scholarships. The Retrievers last won the Pan-Am title in 2009, and took second last year. This year’s team will compete in the 2012 President’s Cup, the "Final Four of College Chess," to be held in April 6-7, 2013 in Herndon, Va.
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<entry>
   <title>Charles Brown Announces Retirement as UMBC Director of Athletics</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17130</id>
   
   <published>2013-01-29T20:15:51Z</published>
   <updated>2013-01-29T20:17:10Z</updated>
   
   <summary></summary>
   <author>
      <name>Elyse Ashburn</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      Contact:
Steve Levy
Director of Athletic Communications
410.455.2197
slevy@umbc.edu

Elyse Ashburn
Director of Communications
410.455.2065
eashburn@umbc.edu

Dr. Charles Brown has announced he will retire as Director of Athletics, Physical Education and Recreation at UMBC as of June 30, 2013, completing a 24-year tenure that has elevated the Retrievers from a fledgling Division-I program to one that is competitive regionally and nationally in a range of sports.

“Dr. Brown has done a masterful job of building a strong and balanced Division-I athletic program at UMBC, with special emphasis on both academic performance and healthy competition,” said Freeman Hrabowski, President of UMBC. “The entire UMBC community appreciates all that he has done to build an even stronger UMBC.”

Over the past 15 years, UMBC teams have won 46 conference championships and made 29 appearances in NCAA Championship competition. For five consecutive years (1998-2003), UMBC was named the top overall program in the Northeast Conference, and it has consistently ranked as a top-four program in the America East Conference, since joining in 2003. During that same period, 36 Retriever athletes earned Academic All-America status and student-athletes had consistently high graduation rates. 

In addition to his work on behalf of student-athletes, Dr. Brown has promoted healthfulness and spirit throughout the UMBC community, from developing robust recreational programs to helping to create the UMBC Alma Mater. The Retriever program under his leadership also has been actively involved in the local community and was recognized by the NCAA for its commitment to service.

Dr. Brown led a period of substantial growth for the athletics department, including the development of a club sport program and rapid enhancement of athletic and recreational facilities. Under his leadership, the Retriever Activities Center was redeveloped and the outdoor aquatic complex, Retriever Soccer Park and a national-class track and field complex were constructed.
 
While growing the Retriever program, Dr. Brown also worked to raise UMBC’s profile regionally and nationally, including serving two terms as president of the Maryland Association of Collegiate Directors of Athletics and one term on the NCAA Division-I Championships/Competition Cabinet. He also helped bring a number of national championships to UMBC and to Baltimore, including the first and second rounds of the NCAA Men&apos;s Basketball Championships in 1995; the Women&apos;s Lacrosse National Championships in 1998; and the Men&apos;s Lacrosse National Championships in 2003, 2004 and 2007.

&quot;I am thankful for the opportunity given to me by Dr. Hooker in 1989 and for the continued support of the administration to develop a first-class department that includes athletics, physical education and recreation,” Dr. Brown said. “It was a life’s dream of mine to be a Division-I athletic director and be at a campus. I’ve watched UMBC grow in so many ways and I am glad that we have been a part of the success of this university. I wish the program continued success in the future.&quot;

Following his retirement as Director of Athletics, Dr. Brown will join the UMBC Division of Professional Studies, where he will work with others to explore opportunities related to Sports Management.
   </content>
</entry>
<entry>
   <title>UMBC Presents ModernWorks in Concert</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17116</id>
   
   <published>2013-01-18T20:00:11Z</published>
   <updated>2013-01-18T20:02:34Z</updated>
   
   <summary></summary>
   <author>
      <name>Thomas Moore</name>
      
   </author>
   
   
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      <![CDATA[<p>February 7, 2013, 8:00 P.M.<br /> Fine Arts Recital Hall, Fine Arts Building</p> <p>Contact:<br /> <a href="mailto:tmoore@umbc.edu">Thomas Moore</a><br /> 410-455-3370<br /> tmoore@umbc.edu</p> <p><a href="mailto:adewitt@umbc.edu">Alicia DeWitt</a><br /> 410-455-3495<br /> adewitt@umbc.edu </p> <div align="center"> <table width="100%" border="1" cellspacing="5" cellpadding="5"> <tr> <td> <div align="center"> <a href="http://www.umbc.edu/newsevents/arts/releases/modernworks.pdf"><img src="http://www.umbc.edu/newsevents/arts/releases/images/modernworksrelease.jpg" alt="" height="201" width="155" align="middle" border="1" hspace="10" /></a><a href="http://www.umbc.edu/newsevents/arts/releases/modernworks.pdf">Download this release</a>.</div> </td> </tr> </table> </div> <p align="center"><img src="http://www.umbc.edu/newsevents/arts/hi-res/music/spring13/modernworks01-s.jpg" alt="" width="360" height="123" align="center" border="1" hspace="5" /></p><p>On Thursday, February 7, UMBC presents in concert the avant garde music ensemble <strong>ModernWorks</strong>, featuring cellist Madeleine Shapiro, accordionist Bill Schimmel and violinist Airi Yoshioka. The performance will be held at 8 p.m. in the Fine Arts Recital Hall. Tickets are $7 general admission, $3 for senior, free for students and free with a UMBC ID, available at the door or through <a href="http://www.missiontix.com">MissionTix.com</a>.</p> <p>The ensemble’s program, entitled “Strange Acquaintances,” will feature:<br /> <em>Stille Szenne</em> (1991) by Wolfgang Rihm<br /> <em>Apparitions</em> (2006) by Phillipe Hersant<br /> <em>Spiral Jetty</em> (2006) by Anthony Cornicello<br /> <em>Grito del Corazon</em> (2005) by Judith Shatin<br /> <em>Silenzio</em> (1991) by Sofina Gubaidulina</p> <p>ModernWorks, which consists of a core of some of New York City’s most prominent performers of new music, is a member of The New York Consortium for New Music and has appeared in New York on Sonic Boom 6, 8, 9, the festival’s 10th anniversary marathon at The Knitting Factory, and Sonic Boom 11.</p> <p><strong>About Madeleine Shapiro</strong><br /> Called a “cello innovator” by <em>Time Out New York</em>, Madeleine Shapiro is a recognized figure in the field of contemporary music. She directs ModernWorks and performs as a solo recitalist throughout the United States, Europe and Latin America. Her work has been called “focused and cohesive” (<em>Time Out New York</em>), “powerful and commandingly delivered” (<em>The Strad</em>) and “played with great skill and sensitivity” (<em>The Washington Post</em>). ModernWorks’ most recent CD was chosen by <em>The New York Times</em> as one of the best CDs of 2009. Shapiro’s awards include three Encore Awards from the American Composers Forum, a Barlow Award, and first prize in Adventurous Programming awarded by ASCAP-Chamber Music America. She is a three time Visiting Artist at the American Academy in Rome.</p> <p><strong>About Bill Schimmel</strong><br /> Regarded as the world’s greatest accordionist by National Public Radio, Bill Schimmel has performed with virtually every major symphony orchestra in America (and the Kirov), including a longstanding relationship with the Minnesota Orchestra, as well as virtually every chamber music group in New York, including Ensemble Sospeso and the Odeon Jazz Ensemble. Pop star colleagues range from Sting to Tom Waits, who proclaimed, “Bill Schimmel doesn’t play the accordion, he is the accordion.” He is founder of the Tango Project, which, in addition to his hit recordings with them, has appeared with Al Pacino in the film: Scent of a Woman. The Tango Project also won the <em>Stereo Review</em> Album of the Year Award, received a Grammy nomination and rose to number one on the <em>Billboard</em> classical charts. Schimmel can be heard in the films True Lies, Kun Dun and many others, including those for which he both scored and performed, and a series of films for the Nature Conservancy.</p> <p><strong>About Airi Yoshioka</strong><br /> Airi Yoshioka has concertized throughout the United States, Europe, Asia, and Canada as a soloist, recitalist and chamber musician. She is the founding member of Damocles Trio and Modigliani Quartet and has performed and recorded with the members of Emerson, Brentano and Arditti Quartets. An enthusiastic performer of new music, she is a principal member of Continuum, ModernWorks, Son Sonora, Azure, Ensemble Pi and RUCKUS ensembles. She has recorded for New World, Claves, Mode, Albany and Pony Canyon records. Yoshioka is an associate professor of Music at UMBC.</p> <p><strong>Tickets and General Information</strong><br /> $7 general admission, $3 seniors, free for students, free with a UMBC ID<br /> UMBC Arts &amp; Culture Calendar: <a href="http://artscalendar.umbc.edu">artscalendar.umbc.edu</a></p> <p><strong>High Resolution Images for Media</strong><br /> <a href="http://www.umbc.edu/newsevents/arts/hi-res/">www.umbc.edu/newsevents/arts/hi-res/</a></p> <p><strong>Directions and Parking Information</strong><br /> UMBC is located approximately 10 minutes from downtown Baltimore and 20 minutes from I-495.<br /> • From I-95 between Baltimore and Washington, take exit 47B. Follow signs for Route 166 toward Catonsville, signs for UMBC, and then signs to ModernWorks concert parking. <br /> • From I-695, take Exit 12C (Wilkens Avenue west) and continue one-half mile to the entrance of UMBC at the roundabout intersection of Wilkens Avenue and Hilltop Road. Turn left and follow signs to ModernWorks concert parking. </p>]]>
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</entry>
<entry>
   <title>Baltimore Dance Project Celebrates 30 Years of Contemporary Dance</title>
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   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17115</id>
   
   <published>2013-01-17T18:32:27Z</published>
   <updated>2013-01-17T18:36:39Z</updated>
   
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   <author>
      <name>Thomas Moore</name>
      
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      <![CDATA[<p>February 7, 8 and 9, 2013, 8:00 P.M.<br /> UMBC Theatre, Performing Arts and Humanities Building</p> <p>Contact:<br /> <a href="mailto:tmoore@umbc.edu">Thomas Moore</a><br /> 410-455-3370<br /> tmoore@umbc.edu</p> <p><a href="mailto:adewitt@umbc.edu">Alicia DeWitt</a><br /> 410-455-3495<br /> adewitt@umbc.edu </p> <div align="center"> <table width="100%" border="1" cellspacing="5" cellpadding="5"> <tr> <td> <div align="center"> <a href="http://www.umbc.edu/newsevents/arts/releases/bdp2013.pdf"><img src="http://www.umbc.edu/newsevents/arts/releases/images/bdp2013release.jpg" alt="" height="201" width="155" align="middle" border="1" hspace="10" /></a><a href="http://www.umbc.edu/newsevents/arts/releases/bdp2013.pdf">Download this release</a>.</div> </td> </tr> </table> </div> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/dance/bdp13/bdp2013-01-s.jpg" alt="" width="360" height="240" align="left" border="1" hspace="5" />UMBC presents the 30th Anniversary concerts of <strong>Baltimore Dance Project</strong> on February 7, 8 and 9, celebrating the ensemble's 30 years of cutting edge performances. Led by artistic directors and choreographers Carol Hess and Doug Hamby, and featuring principal dancer Sandra Lacy, these special concerts mark the first dance performances on the stage of UMBC's new Proscenium Theatre in the Performing Arts and Humanities Building. All performances will be at 8:00 p.m.; tickets are available through MissionTix at <a href="http://www.missiontix.com">missiontix.com</a>.</p> <p>Rooted within the practice of unifying multiple forms of art, Baltimore Dance Project has commanded the stage for 30 years. The company's performances will celebrate this legacy by exhibiting a blend of multimedia dance by Doug Hamby and Carol Hess that converges at the intersection of time and at the crossroads of music, dance and visual art. These works, created in collaboration with musicians, artists and poets, will feature live music, spoken word and a riveting dance by award-winning performer Sandra Lacy.</p> <p>The program will include Doug Hamby's group piece <em>Past/Forward</em> (2012), a visually stunning work in which dancers perform alongside silent dance films of the 1950s, playfully exploring the spatiotemporal characteristics of live performance. The company will also debut two premieres: <em>If I Told Him</em>, in which a dancer creates a compelling and theatrical event as he dances, recites poetry by Gertrude Stein and manipulates a rope stretched across the stage; and <em>Common Axis</em>, created by Hamby and Hess in collaboration with artist Timothy Nohe in commemoration of the company's 30th anniversary, a meld of movement from Baltimore Dance Project's past and present works.</p> <p>The concerts will also include Doug Hamby's <em>Construction #2</em>, featuring music of the same name composed by John Cage and performed live by percussionist Tom Goldstein and UMBC Department of Music alumni.</p> <p>Sandra Lacy will be featured in two works. The first, <em>Once Again</em>, is a surreal journey into the haunting interior life of a performer, choreographed by Lorraine Chapman and Sandra Lacy; the second is <em>Out to Play</em>, a fanciful and fun loving duet that celebrates the ability to play, take risks and indulge in whimsy, choreographed and performed by Sandra Lacy and Adrienne Clancy.</p> <p><strong>About Carol Hess, choreographer</strong><br /> Carol Hess studied extensively under Robert Ellis Dunn, and has performed with Hannah Kahn and Dancers, The Rondo Dance Theatre, and DANCES/Janet Soares in New York and has appeared as a tap soloist on television and in concert throughout the United States and Europe. Hess has also received numerous awards for her choreography, including one from the Maryland Council for Dance. She is currently the UMBC Department of Dance Chair and Associate Professor.</p> <p><strong>About Doug Hamby, choreographer</strong><br /> Doug Hamby, associate professor of Dance at UMBC, has performed across the country in companies directed by Martha Graham, May O'Donnell, Elizabeth Keen, Pearl Lang and Norma Walker, and has received choreography awards from the National Endowment for the Arts, the Maryland State Arts Council, the New York State Council for the Arts, the Baltimore Mayor's Advisory committee on Arts and Culture and others.</p> <p><strong>About Sandra Lacy, principal dancer</strong><br /> Featured dancer and UMBC Department of Dance faculty member, Sandra Lacy has had numerous years of experience as a dancer and is a six-time recipient of the Maryland State Art Council's Individual Artist Award in Solo Dance Performance. She has performed with the Maryland Ballet, Impetus Dance Company, Path Dance Company, James Hansen's Assemblage Dance Company and Bill T. Jones/Arnie Zane and Company, and is an Associate of the Royal Academy of Dancing in London.</p> <p><strong>Ticket and General Information</strong><br /> $20 general admission, $10 students and seniors, $7 UMBC students<br /> UMBC Arts &amp; Culture Calendar: <a href="http://artscalendar.umbc.edu">artscalendar.umbc.edu</a><br /> </p> <p><strong>Images for Media</strong><br /> <a href="http://www.umbc.edu/newsevents/arts/hi-res/">www.umbc.edu/newsevents/arts/hi-res/</a><br /> Photos in this release by Marlayna Demond. </p> <p><strong>Directions and Parking Information</strong><br /> UMBC is located approximately 10 minutes from downtown Baltimore and 20 minutes from I-495.<br /> • From I-95 between Baltimore and Washington, take exit 47B. Follow signs for Route 166 toward Catonsville, signs for UMBC, and then signs to Baltimore Dance Project parking. <br /> • From I-695, take Exit 12C (Wilkens Avenue west) and continue one-half mile to the entrance of UMBC at the roundabout intersection of Wilkens Avenue and Hilltop Road. Turn left and follow signs to Baltimore Dance Project parking.</p> <p align="center"><img src="http://www.umbc.edu/newsevents/arts/hi-res/dance/bdp13/bdp2013-2-s.jpg" alt="" width="360" height="236" align="center" border="1" hspace="5" /></p>]]>
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<entry>
   <title>Albin O. Kuhn Library Gallery Presents Persian Visions: Contemporary Photography from Iran</title>
   <link rel="alternate" type="text/html" href="http://www.umbc.edu/blogs/umbcnews/2013/01/albin_o_kuhn_library_gallery_p_24.html" />
   <id>tag:www.umbc.edu,2013:/blogs/umbcnews//23.17099</id>
   
   <published>2013-01-07T19:25:51Z</published>
   <updated>2013-01-07T19:36:10Z</updated>
   
   <summary></summary>
   <author>
      <name>Thomas Moore</name>
      
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      <![CDATA[<p>January 28 – March 24, 2013</p> <p>Contact:<br /> <a href="mailto:tmoore@umbc.edu">Thomas Moore</a><br /> 410-455-3370<br /> tmoore@umbc.edu</p> <p><a href="mailto:adewitt@umbc.edu">Alicia DeWitt</a><br /> 410-455-3495<br /> adewitt@umbc.edu </p> <div align="center"> <table width="100%" border="1" cellspacing="5" cellpadding="5"> <tr> <td> <div align="center"> <a href="http://www.umbc.edu/newsevents/arts/releases/persianvisions.pdf"><img src="http://www.umbc.edu/newsevents/arts/releases/images/persianvisionsrelease.jpg" alt="" height="201" width="155" align="middle" border="1" hspace="10" /></a><a href="http://www.umbc.edu/newsevents/arts/releases/persianvisions.pdf">Download this release</a>.</div> </td> </tr> </table> </div> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/kuhn/persianvisions/persianvisions12-s.jpg" alt="" width="360" height="250" align="left" border="1" hspace="5" />The Albin O. Kuhn Library Gallery presents <em><b>Persian Visions: Contemporary Photography from Iran</b></em>, on display from January 28 through March 24. <em>Persian Visions</em> was developed by Hamid Severi for the Tehran Museum of Contemporary Art, Iran, and Gary Hallman of the Regis Center for Art, University of Minnesota and is toured by International Arts &amp; Artists, Washington D.C.</p> <p>In the first survey of contemporary Iranian photography to travel to the United States, <em>Persian Visions: Contemporary Photography from Iran</em> features more than sixty works by twenty of Iran's most celebrated photographers who use the camera as a tool for cultural expression and self-exploration. The exhibition offers a glimpse into the aspects of existence—family, history, place, mortality, language, memory—that engage us all. These photographers offer a poignant reminder that at the center of political turmoil there can be humanity, and that a keen eye tuned to the tensions of modern life need not be blind to its poetry.</p> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/kuhn/persianvisions/persianvisions04-s.jpg" alt="" width="227" height="360" align="left" border="1" hspace="5" />Iran has long distinguished itself with the spectacular quality and international presence of its visual art and film. With the backdrop of increasing attention given to the art and culture of Iran and the current political crisis in that part of the world, an exhibition with this focus is most timely. In expressing their many different visions of their world, these artists offer a look at both private and public realms. Their perspectives contradict the way many foreign photographers typically capture Iran on film as purely exotic.</p> <p>The exhibition features works by artists including Shokoufeh Alidousti, offering self-portraits and family photographs exploring both cultural and female identity; Esmail Abbasi, who draws on Persian literature for his subject matter with contemporary notes on the present circumstances in Iran; Shahriar Tavakoli, who focuses on his family history through a series of portraits capturing the subtleties and mood of the Iranian family; Koroush Adim and his <em>Revelation</em> series; and Shahrokh Ja'fari whose use of unusual spacial rendering in depicting the veiled figure demands that the viewer look harder and think harder about what can be revealed through the visual.</p><br clear=all /> <p><strong>Hours</strong><br /> Mon/Tue/Wed/Fri: 12 P.M. – 4 P.M.<br /> Thursday: 12 P.M. – 8 P.M.<br /> Sat/Sun: 1 P.M. – 5 P.M.</p> <p align="center"><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/kuhn/persianvisions/persianvisions05-s.jpg" alt="" width="360" height="136" align="middle" border="1" hspace="5" /><br clear=all /></p><p><strong>About the Albin O. Kuhn Library Gallery</strong><br /> The Albin O. Kuhn Library Gallery serves as one of the principal art galleries in the Baltimore region. Objects from the Special Collections Department, as well as art and artifacts from all over the world, are displayed in challenging and informative exhibitions for the University community and the public. Moreover, traveling exhibitions are occasionally presented, and the Gallery sends some exhibits on tour to other institutions nationwide. Admission to the Gallery and its programs is free.</p> <p><strong>Public Information</strong><br /> UMBC Arts &amp; Culture Calendar: <a href="http://artscalendar.umbc.edu">artscalendar.umbc.edu</a><br /> Albin O. Kuhn Library Gallery: <a href="http://aok.lib.umbc.edu/gallery/">aok.lib.umbc.edu/gallery/</a></p> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/kuhn/persianvisions/persianvisions01-s.jpg" alt="" width="240" height="360" align="right" border="1" hspace="5" /><strong>Acknowledgements</strong><br /> This exhibition was made possible in part by the ILEX Foundation, University of Minnesota McKnights Arts and Humanities Endowment, and the Department of Art, Regis Center for Art, University of Minnesota.</p> <p>The Library Gallery's presentation of this exhibition is supported by an arts program grant from the Maryland State Arts Council, an agency funded by the State of Maryland and the National Endowment for the Arts. Additional support comes from the Friends of the Library &amp; Gallery, the Libby Kuhn Foundation, and individual contributions.</p> <p><strong>Images for Media</strong><br /> <a href="http://www.umbc.edu/newsevents/arts/hi-res/">www.umbc.edu/newsevents/arts/hi-res/</a><br /> Images in this release: Yahya Dehghanpoor, Untitled, no date; Ebrahim Khadem Bayat, Untitled, 1997; Mehran Mohajer, <em>T.V. Series 1 (The Light is Out the Room is Dark)</em>, 2003; Ahmad Nateghi, Untitled, 1998; Arman Stephanian, Untitled, 2003.</p> <p><strong>Directions and Parking Information</strong><br /> UMBC is located approximately 10 minutes from downtown Baltimore and 20 minutes from I-495.<br /> • From I-95 between Baltimore and Washington, take exit 47B. Follow signs for Route 166 toward Catonsville, signs for UMBC, and then signs to the Walker Avenue Garage and Albin O. Kuhn Library and Gallery. <br /> • From I-695, take Exit 12C (Wilkens Avenue west) and continue one-half mile to the entrance of UMBC at the roundabout intersection of Wilkens Avenue and Hilltop Road. Turn left and follow signs to the Walker Avenue Garage and Albin O. Kuhn Library and Gallery. <br /> • Daytime metered visitor parking is available in the Walker Avenue Garage.</p><br clear=all /> <p align="center"><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/kuhn/persianvisions/persianvisions06-s.jpg" alt="" width="360" height="236" border="1" hspace="5" /></p><p>&nbsp;</p> <p align="center"><img src="http://www.artsandartists.org/images/common/header-logo.jpg" alt="" width="250" height="40" border="1" hspace="5" /></p>]]>
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<entry>
   <title>UMBC Chess Team Ties for First Place Following the “World Series of Chess”</title>
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   <id>tag:www.umbc.edu,2012:/blogs/umbcnews//23.17087</id>
   
   <published>2012-12-30T19:37:16Z</published>
   <updated>2012-12-31T21:14:24Z</updated>
   
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   <author>
      <name>Nicole Ruediger</name>
      
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      Contact: Nicole Ruediger,  410-455-5791,  nruedige@umbc.edu

The UMBC chess team tied for first place to today in the Pan-Am Intercollegiate Team Chess Championship, advancing to the 2013 President’s Cup, known as the “Final Four” of chess.

The UMBC chess team headed into the 2012 Pan-Am Intercollegiate Team Chess Championship with a record nine titles to its name. The competition known informally as the Pan-Am, was held December 27 to 30 in Princeton, New Jersey. Since the tournament began in 1946, dozens of universities throughout the Americas have participated. The Retrievers won their first Pan-Am title in 1996, and then embarked on a five-year title streak from 1998 to 2002.

This year, the Retrievers tied for first place with 3 other Universities: University of Texas, Dallas; Webster University, which had 2 teams; and the University of Illinois.
“It was an exciting finish. This was the strongest Pan Am in the history of the event. Twenty – three grandmasters as well as 5 teams rated over 2500 competed,” says Alan Sherman, Director of the UMBC Chess Program.

The UMBC team, all on chess scholarships, is composed of students not only with exceptional chess skills but also with strong academic records, Sherman says. UMBC requires students to maintain a 3.0 GPA to maintain chess scholarships.
The Retrievers last won the Pan-Am title in 2009, and took second last year. This year’s team will compete in the 2012 President’s Cup, the &quot;Final Four of College Chess,&quot; to be held in April 6-7, 2013 in Herndon, Va.

For more information on the UMBC team, contact Alan T. Sherman, director, UMBC Chess Program at 410-963-4779 or sherman@umbc.edu.


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</entry>
<entry>
   <title>Media Advisory: UMBC Chess Team Aims to Reclaim its Title in the “World Series of College Chess”</title>
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   <id>tag:www.umbc.edu,2012:/blogs/umbcnews//23.17086</id>
   
   <published>2012-12-22T18:44:32Z</published>
   <updated>2012-12-22T18:48:36Z</updated>
   
   <summary></summary>
   <author>
      <name>Nicole Ruediger</name>
      
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      Contact: Nicole Ruediger 410-455-5791, nruedige@umbc.edu

The UMBC chess team heads into the 2012 Pan-Am Intercollegiate Team Chess Championship with a record nine titles to its name. The competition known informally as the Pan-Am, will be held December 27-30, 2012 at Princeton University. Since the tournament began in 1946, dozens of universities throughout the Americas have participated. The Retrievers won their first Pan-Am title in 1996, and then embarked on a five-year title streak from 1998-2002.

The team, all on chess scholarships at UMBC, is composed of students not only with exceptional chess skills but also with strong academic records, says Alan Sherman, chess director. UMBC requires students to maintain a 3.0 GPA to maintain chess scholarships.

The UMBC players are: Giorgi Margvelashvili (Captain), Niclas Huschenbeth, Sasha Kaplan, Nazi Paikidze. Alternates are Sabina Foisor and Adithya Balasubramanian.

2012 Pan American Intercollegiate Team Chess Championships 

When: December 27-30, 2012 

Where: Frick Chemistry Laboratory, Princeton University, Princeton, NJ 08540

For move-by-move progress of Pan-Am matches, go to www.monroi.com

For more information on the UMBC team: Alan T. Sherman, director, UMBC Chess Program      410-963-4779 or sherman@umbc.edu
   </content>
</entry>
<entry>
   <title>Center for Art, Design and Visual Culture Presents &quot;For All the World to Hear&quot;</title>
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   <id>tag:www.umbc.edu,2012:/blogs/umbcnews//23.17072</id>
   
   <published>2012-12-12T15:56:14Z</published>
   <updated>2013-02-01T02:47:22Z</updated>
   
   <summary></summary>
   <author>
      <name>Thomas Moore</name>
      
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      <![CDATA[<p>Contact: <a href="mailto:tmoore@umbc.edu">Tom Moore</a><br /> 410-455-3370<br /> tmoore@umbc.edu</p>
<p>From December 2012 through February 2013, UMBC's Center for Art, Design and Visual Culture (CADVC) presents For All the World to Hear,  a dynamic humanities project in which ten senior citizens from the Baltimore area tell, write, perform, and digitally publish personal stories of their involvement in the struggle for civil rights.</p>
<p>The first component of the project brings seniors from inter-racial and inter-faith backgrounds together for a series of oral history interview meetings. Under the guidance of oral historian, dramaturg, and performance director, Harriet Lynn, their written accounts will result in a script that the participants will perform before intergenerational audiences in the Baltimore area.</p>
<p>Mediated, interactive audience discussions will follow each of the performances, which will be held at  museums, libraries and college campuses. CADVC's long-standing K-14 outreach program will activate connections with schools in proximity to performances resulting in a rich, first person history lesson for Baltimore area school children. The performance schedule includes the following dates and venues:</p>
<p>Wednesday, December 12, 10:30 am<br />
  Reginald F. Lewis Museum of African American History and Culture</p>
<p>Friday, February 8, 12 pm<br />
  Baltimore City Hall—Baltimore National Heritage Area's "It’s More than History! Brown Bag Lecture Series"</p>
<p>Sunday, February 10, 2 pm<br />
  Jewish Museum of Maryland</p>
<p>Tuesday, February 12, 6 pm<br />
  Maryland Historical Society</p>
<p>Friday, February 15, 10:30 am<br />
  UMBC, Recital Hall, Fine Arts Building</p>
<p>Saturday, February 23, 2 pm<br />
  Enoch Pratt Free Library, Main Branch</p>
<p>Schedule updates will be posted at the project's website, <a href="http://www.umbc.edu/cadvc/foralltheworldtohear.php">foralltheworldtohear.org</a>.</p>
<p>The second component of the program involves the same group of seniors with a digital storytelling component. Each senior citizen will work with a UMBC student to realize his or her story in digital video format, which will be published online at UMBC's digital story site, umbc.edu/stories. The digital stories will ultimately be  distributed via iTunes U.</p>
<p>A documentary video will chronicle the entire process of developing this community of practice among the seniors and students, beginning with their first meeting in September 2012 and ending in spring of 2013 with the web launch and screening of their digital stories.</p>
<p>Acknowledgements<br />
For All the World to Hear: Stories from the Struggle for Civil Rights is a community outreach program of the Center for Art, Design &amp; Visual Culture, UMBC. It is organized by Sandra Abbott, CADVC's curator of collections and outreach in collaboration with Harriet Lynn, producer/artistic director of Heritage Theatre Artists' Consortium. The program is supported in part by the Maryland Humanities Council. Program partners include the Stoop Storytelling Series, Howard Peters Rawlings Conservatory &amp; Botanic Gardens, Druid Hill Park and the Senior Citizen Division of Baltimore City Recreation and Parks. Media partners include The Beacon Newspaper and WYPR.</p>
<p><img src="http://www.mdhc.org/images/logos/uncoated_horiz_thumb.jpg" align="left" hspace="5"/>This project was made possible by a grant from the Maryland Humanities Council, through support from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities or the Maryland Humanities Council.</p>
<p><strong>Related Programming</strong><br /> 
For All the World to Hear is related to the exhibition <em>For All the World to See</em>, on display at the CADVC through March 10, 2013. Additional information on the exhibition is available at <a href="http://artscalendar.umbc.edu">http://artscalendar.umbc.edu</a>.</p> <p><strong>About the Center for Art, Design and Visual Culture</strong><br /> 
  The Center for Art, Design and Visual Culture is dedicated to the study of contemporary art and visual culture, critical theory, art and cultural history, and the relationship between society and the arts. The CADVC serves as a forum for students, faculty, and the general public for the discussion of important aesthetic and social issues of the day. Disciplines represented include painting, sculpture, drawing, printmaking, photography, digital art, video, film, television, design, architecture, advertising, and installation and performance art.</p> <p>Since 1989, the CADVC has incorporated a number of public programs into its exhibition programming schedule to further impact the communities it serves. Symposia, lecture series, conferences, film series, visiting artist series, and residencies have all been fundamental in an effort to create an ongoing dialogue about contemporary art and culture. The Center has also initiated a number of projects with Baltimore and surrounding schools to integrate the contemporary artist and their concerns into the classroom. These projects take place on-site at both middle schools and high schools and are team taught by the instructors at these schools, professional artists, and students from the CADVC's Internship Program.</p> 
<p>The Center produces one to two exhibition catalogues each year. Each document is fully illustrated and contains critical essays on the given subject by a variety of distinguished professionals in the field. Recent publications include <em>Postmodernism: A Virtual Discussion</em> and <em>Paul Rand: Modernist Design</em>. These books and catalogues are published and are distributed internationally through Distributed Art Publishers.</p> <p>Since 1992, the Center for Art, Design and Visual Culture has actively pursued the organization of exhibitions that contain the aesthetic, theoretical, and educational potential to reach both a national and international audience. Over the years, the CADVC has traveled these exhibition projects to a broad spectrum of museums, professional non-profit galleries, and universities national and internationally. Recent traveling exhibitions include:</p> <p>- <em>For All the World to See: Visual Culture and the Struggle for Civil Rights</em> (2010)<br /> - <em>White: Whiteness and Race in Contemporary Art</em> (2003)<br /> - <em>Fred Wilson: Objects and Installations</em> (2001) <br /> - <em>Adrian Piper: A Retrospective</em> (1999)<br /> - <em>Bruno Monguzzi: A Designer's Perspective</em> (1998)<br /> - <em>Minimal Politics</em> (1997) <br /> - <em>Kate Millett, Sculpture: The First 38 Years</em> (1997) </p> <p>Beyond the scope of these traveling exhibitions, the Center for Art, Design and Visual Culture also undertakes projects such as the Joseph Beuys Tree Partnership. As part of the educational mission of the CADVC, one graduate thesis exhibition and one undergraduate senior exhibition are presented each year. This multi-faceted focus for presenting exhibitions, projects and scholarly research publications focused on contemporary art and cultural issues positions the Center for Art, Design and Visual Culture in a unique position within the mid-Atlantic region.</p> <p><strong>Public Information</strong><br />
  UMBC Arts &amp; Culture Calendar: <a href="http://artscalendar.umbc.edu/">artscalendar.umbc.edu</a></p>
</p> <p><strong>Images</strong><br />
  High resolution images for media use are available: <a href="http://www.umbc.edu/newsevents/arts/hi-res/">http://www.umbc.edu/newsevents/arts/hi-res/</a></p>]]>
   </content>
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<entry>
   <title>Center for History Education Introduces “Children’s Lives at Colonial London Town”</title>
   <link rel="alternate" type="text/html" href="http://www.umbc.edu/blogs/umbcnews/2012/11/center_for_history_education_i.html" />
   <id>tag:www.umbc.edu,2012:/blogs/umbcnews//23.17054</id>
   
   <published>2012-11-30T21:18:14Z</published>
   <updated>2012-11-30T21:24:23Z</updated>
   
   <summary>New Digital History Resource for Elementary Students, Teachers, and Families...</summary>
   <author>
      <name>Chelsea Haddaway</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      <![CDATA[<em>New Digital History Resource for Elementary Students, Teachers, and Families</em>]]>
      <![CDATA[Conact:
Chelsea Williams
Communications Manager
410-455-6380
chelseah@umbc.edu

<em><a href="http://che.umbc.edu/londontown/index.html">Children's Lives at Colonial London Town: The Stories of Three Families</a> </em>is a digital storybook about real people who resided in London Town, a colonial-era trading port near Annapolis, Maryland. The project is collaboration between elementary school teachers from <a href="http://www.aacps.org/">Anne Arundel County Public Schools</a>, the <a href="http://www.umbc.edu/che">Center for History </a>Education at UMBC, and <a href="http://www.londontown.org/">Historic London Town and Gardens</a>. The U.S. Department of Education’s <a href="http://www2.ed.gov/programs/teachinghistory/index.html">Teaching American History Grant Program </a>provided funding.

The storybook was developed through graduate coursework, under the direction of Marjoleine Kars, chair and associate professor of history at UMBC, and Mary Davis, Anne Arundel County Public Schools resource teacher. The teachers worked at London Town with Lisa Robbins, director of education, to research and write the children’s stories, making use of primary sources, such as documents and artifacts, as well as secondary sources on the history of childhood.

The teachers realized that focusing on children would generate interest among their fourth and fifth grade students studying the colonial period. The resulting narratives, which together span the early 1700s to the American Revolution, provide insight into the daily lives of three different families. Read together, the stories are an inclusive portrait of life in London Town in the eighteenth-century colonial south. The book examines the themes of class and social structure, gender, education and work. As a teaching resource, it can be used across the disciplines and in a variety of subject areas.

In 1709, the children of the Holland Pierpoint family helped to operate the family business, an ordinary, a type of inn for travelers. They had to perform a number of chores and would frequently vacate their own beds to accommodate the paying guests. The Hill family had fallen on hard times in 1739, causing the father, Richard Hill, to declare bankruptcy and leave London Town for the island of Madeira, off the coast of Portugal, where he had business interests. His wife and several of his children and servants moved with him to the island, but part of the family remained at London Town, under the care of Hannah, his newly-married, fifteen-year-old daughter. Finally, a single reference in court records mentions a boy named Jacob. In 1762, Jacob was seven years old and enslaved. Jacob’s daily life is re-constructed from the research done by historians on colonial slavery in the mid-Atlantic region. He lived and worked for the Brown family of London Town. The Browns, who owned an inn, also employed convict and indentured servants. 

The <a href="http://che.umbc.edu/londontown/index.html">Children’s Lives at Colonial London Town</a> website, designed by the UMBC <a href="http://nms.umbc.edu/">New Media Studio</a> in conjunction with the Center for History Education, includes the storybook and a number of interactive features, including maps, a timeline, and a glossary of terms. Visitors to the site will also find additional background information on the people and places in the stories and learn more about present-day London Town. “Digital media allows us to do more sophisticated things.  It creates more opportunities for learning and allows us to present material that is more complicated,” said Kars.

“None of us imagined that it would be what it became,” said Robbins. “We’re all so proud of and blown away by the finished product.”

“Children’s Lives at Colonial London Town” is an instructional resource for educators, home-school families, and community organizations, with numerous teacher-created activities designed to further student understanding and develop historical thinking and literacy skills. The activities align with the Maryland content and Common Core Standards. Suggestions are given for helping students comprehend the story content and themes. 

The project was the recipient of the 2012 Social Studies Program of Excellence Award from the Middle States Regional Council for the Social Studies, an affiliate of the National Council for the Social Studies.
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</entry>
<entry>
   <title>Center for Art, Design and Visual Culture Presents For All the World to See: Visual Culture and the Struggle for Civil Rights</title>
   <link rel="alternate" type="text/html" href="http://www.umbc.edu/blogs/umbcnews/2012/11/center_for_art_design_and_visu_13.html" />
   <id>tag:www.umbc.edu,2012:/blogs/umbcnews//23.17023</id>
   
   <published>2012-11-07T03:56:45Z</published>
   <updated>2012-11-09T13:36:48Z</updated>
   
   <summary></summary>
   <author>
      <name>Thomas Moore</name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.umbc.edu/blogs/umbcnews/">
      
      <![CDATA[<p>November 15, 2012 - March 10, 2013</p> <p>Contact: <a href="mailto:tmoore@umbc.edu">Thomas Moore</a><br /> 410-455-3370<br /> tmoore@umbc.edu</p> <div align="center"> <table width="100%" border="1" cellspacing="5" cellpadding="5"> <tr> <td> <div align="center"> <a href="http://www.umbc.edu/newsevents/arts/releases/fatwts2012.pdf"><img src="http://www.umbc.edu/newsevents/arts/releases/images/fatwts2012releaseimage.jpg" alt="" height="201" width="155" align="middle" border="1" hspace="10" /></a><a href="http://www.umbc.edu/newsevents/arts/releases/fatwts2012.pdf">Download this release</a>.</div> </td> </tr> </table> </div> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/cadvc/foralltheworld/fatwts01-s.jpg" alt="Ernest C. Withers Sanitation Workers Assemble in Front of Clayborn Temple for a Solidarity March, Memphis, TN, March 28, 1968 Gelatin silver print Image: 8 1⁄2 x 14 3⁄4 in. Paper: 16 x 20 in. Smithsonian National Museum of African American History and Culture, Museum Purchase, © Ernest C. Withers, Courtesy Panopticon Gallery, Boston MA" height="208" width="360" align="left" border="1" hspace="5" />Opening on Thursday, November 15, 2012 and continuing though Sunday, March 10, 2013, the <a href="http://umbc.edu/cadvc/">Center for Art, Design and Visual Culture</a> presents <em>For All the World to See: Visual Culture and the Struggle for Civil Rights</em>, curated by Maurice Berger. The exhibition is organized by UMBC's Center for Art, Design and Visual Culture in partnership with the <a href="http://nmaahc.si.edu">Smithsonian National Museum of African American History and Culture</a>. Through a host of media—including photographs, television and film, magazines, newspapers, posters, books, and pamphlets—the project explores the historic role of visual culture in shaping, influencing, and transforming the fight for racial equality and justice in the United States from the late-1940s to the mid-1970s. <em>For All the World to See</em> includes a traveling exhibition, website, online film festival, and richly illustrated companion book.</p> <p>The exhibition demonstrates the extent to which the rise of the modern civil rights movement paralleled the birth of television and the popularity of picture magazines and other forms of visual mass media, and traces the gradual introduction of African American faces into those contexts. These images were ever-present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of achievers and martyrs in black periodicals, which roused pride or activism in the African American community; the humble snapshot, no less powerful in its ability to edify and motivate.</p> <p>Efforts to combat racism and segregation were waged not only with fiery speeches and nonviolent protests but also, significantly, with pictures, forever changing the way political movements fought for visibility and recognition. Nonetheless, the role of visual media in combating racism is rarely included in standard histories of the movement. <em>For All the World to See</em> includes approximately 230 objects and television and film clips, ranging from the late-1940s to the mid-1970s.</p> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/cadvc/foralltheworld/fatwts02-s.jpg" alt="Missing: Call FBI, 29 June 1964 Offset lithograph 15 11/16 x 10 7/16 in. Anonymous Gift, 2005 Collection of International Center of Photography 10.2005" height="360" width="247" align="right" border="1" hspace="5" />The exhibition is divided into five sections: "It Keeps on Rollin' Along: The Status Quo" looks at the world of visual culture into which the modern civil rights movement was born and the power of these images to perpetuate stereotypes, prejudice, and complacency. "The Culture of Positive Images" investigates the role of images in fostering a sense of black pride and accomplishment as well as improving the habitually negative view of African Americans in the culture at large. "'Let the World See What I've Seen': Evidence and Persuasion" considers the use of pictures to report, document, or offer proof, depictions powerful enough to alter public opinion, perceptions, or attitudes about race in America. "Guess Who's Coming to Dinner: Broadcasting Race" examines the role of entertainment television in supporting black performers and exploring controversial racial issues. "In Our Lives We Are Whole: Snapshots of Everyday Life, 1935–1975" studies the roles played by the visual artifacts of daily life—from family snapshots to the visual campaign of the Black Panther Party—in emboldening black pride, maintaining the status quo, or countering mainstream values and points of view.</p> <p>Exhibition highlights include: materials relating to the Emmett Till case, such as a rare pamphlet by the photographer Ernest C. Withers recounting the murder and its aftermath; historic footage of Jackie Robinson's first game in the major leagues and other sports memorabilia; an examination of the Negro pictorial magazine, from the widely-read (<em>Ebony</em>, <em>Jet</em>, and <em>Tan</em>) to the short-lived (<em>Hue</em>, <em>Say</em>, and <em>Sepia</em>); photographs documenting the civil rights movement and its leaders by Roy DeCarava, Elliot Erwitt, Benedict Fernandez, Joseph Louw, Francis Miller, Gordon Parks, Robert Sengstack, Moneta Sleet, Carl Van Vechten, and Dan Weiner; clips from groundbreaking television documentaries, most not seen in decades, such as <em>The Weapons of Gordon Parks</em>, <em>Ku Klux Klan: The Invisible Empire</em>, and <em>Take This Hammer</em>; and excerpts from nationally broadcast (<em>The Beulah Show</em>, <em>East Side, West Side</em>, <em>All in the Family</em>, and <em>The Ed Sullivan Show</em>) and local African American TV programs (<em>Soul</em>, <em>Say Brother</em>, and <em>Colored People's Time</em>). <em>For All the World to See</em> looks at images from a range of cultural outlets and formats, tracking the ways they represented race in order to alter beliefs and attitudes.</p><p><strong>Exhibition Hours</strong><br /> The Center for Art, Design and Visual Culture is open Tuesday through Saturday from 10 a.m. to 5 p.m. An <b>opening reception</b> will be held on Thursday, November 15, from 5 to 7 p.m., and the exhibition will open for regular hours on Friday, November 16. Admission to the CADVC and all related events is free.</p><p><strong>Related Programming</strong><br /> <em>For All the World to See</em> will be enhanced by a series of public programs organized by the CADVC and by other UMBC divisions. These include For All the World to Hear: Stories from the Struggle for Civil Rights, an oral history, performance and digital humanities project; and lectures and discussions produced by UMBC’s Humanities Forum and Social Sciences Forum. Additional information on these events is available at <a href="http://artscalendar.umbc.edu">http://artscalendar.umbc.edu</a>.</p> <p><strong>About the Center for Art, Design and Visual Culture</strong><br /> The Center for Art, Design and Visual Culture is dedicated to the study of contemporary art and visual culture, critical theory, art and cultural history, and the relationship between society and the arts. The CADVC serves as a forum for students, faculty, and the general public for the discussion of important aesthetic and social issues of the day. Disciplines represented include painting, sculpture, drawing, printmaking, photography, digital art, video, film, television, design, architecture, advertising, and installation and performance art.</p> <p><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/cadvc/foralltheworld/fatwts03-s.jpg" alt="I AM A MAN, 1968 Offset lithography on paper Copyright: Emerson Graphics 28 x 22 in. Collection of Civil Rights Archive/CADVC-UMBC, Baltimore, MD" height="360" width="282" align="left" border="1" hspace="5" />Since 1989, the CADVC has incorporated a number of public programs into its exhibition programming schedule to further impact the communities it serves. Symposia, lecture series, conferences, film series, visiting artist series, and residencies have all been fundamental in an effort to create an ongoing dialogue about contemporary art and culture. The Center has also initiated a number of projects with Baltimore and surrounding schools to integrate the contemporary artist and their concerns into the classroom. These projects take place on-site at both middle schools and high schools and are team taught by the instructors at these schools, professional artists, and students from the CADVC's Internship Program.</p> <p>The Center produces one to two exhibition catalogues each year. Each document is fully illustrated and contains critical essays on the given subject by a variety of distinguished professionals in the field. Recent publications include <em>Postmodernism: A Virtual Discussion</em> and <em>Paul Rand: Modernist Design</em>. These books and catalogues are published and are distributed internationally through Distributed Art Publishers.</p> <p>Since 1992, the Center for Art, Design and Visual Culture has actively pursued the organization of exhibitions that contain the aesthetic, theoretical, and educational potential to reach both a national and international audience. Over the years, the CADVC has traveled these exhibition projects to a broad spectrum of museums, professional non-profit galleries, and universities national and internationally. Recent traveling exhibitions include:</p> <p>- <em>For All the World to See: Visual Culture and the Struggle for Civil Rights</em> (2010)<br /> - <em>White: Whiteness and Race in Contemporary Art</em> (2003)<br /> - <em>Fred Wilson: Objects and Installations</em> (2001) <br /> - <em>Adrian Piper: A Retrospective</em> (1999)<br /> - <em>Bruno Monguzzi: A Designer's Perspective</em> (1998)<br /> - <em>Minimal Politics</em> (1997) <br /> - <em>Kate Millett, Sculpture: The First 38 Years</em> (1997) </p> <p>Beyond the scope of these traveling exhibitions, the Center for Art, Design and Visual Culture also undertakes projects such as the Joseph Beuys Tree Partnership. As part of the educational mission of the CADVC, one graduate thesis exhibition and one undergraduate senior exhibition are presented each year. This multi-faceted focus for presenting exhibitions, projects and scholarly research publications focused on contemporary art and cultural issues positions the Center for Art, Design and Visual Culture in a unique position within the mid-Atlantic region.</p> <p><strong>Public Information</strong><br /> For All the World to See online exhibition: <a href="http://www.umbc.edu/cadvc/foralltheworld/">http://www.umbc.edu/cadvc/foralltheworld/</a><br /> UMBC Arts &amp; Culture Calendar: <a href="http://artscalendar.umbc.edu/">artscalendar.umbc.edu</a></p> <p><strong>Images for Media</strong><br /> High resolution digital images are available for media use:<br /> <a href="http://www.umbc.edu/newsevents/arts/hi-res/">http://www.umbc.edu/newsevents/arts/hi-res/</a><br /> Image in this release: Ernest C. Withers, Sanitation Workers Assemble in Front of Clayborn Temple for a Solidarity March, Memphis, TN, March 28, 1968, Gelatin silver print, Image: 8 1⁄2 x 14 3⁄4 in., Paper: 16 x 20 in., Smithsonian National Museum of African American History and Culture, Museum Purchase, © Ernest C. Withers, Courtesy Panopticon Gallery, Boston MA<br /> Missing: Call FBI, 29 June 1964, Offset lithograph, 15 11/16 x 10 7/16 in., Anonymous Gift, 2005, Collection of International Center of Photography, 10.2005<br /> I AM A MAN, 1968, Offset lithography on paper, Copyright: Emerson Graphics, 28 x 22 in., Collection of Civil Rights Archive/CADVC-UMBC, Baltimore, MD<br /> Pamphlet, Frank Cieciorka (Artist), All Power To The People: The Story Of The Black Panther Party, 1970,, 10 x 7 7/16 in., Peoples Press, San Francisco, Collection of Civil Rights Archive/CADVC-UMBC, Baltimore, MD</p> <p><center><img src="http://www.umbc.edu/newsevents/arts/hi-res/visualart/cadvc/foralltheworld/fatwts04-s.jpg" alt="Pamphlet, Frank Cieciorka (Artist), All Power To The People: The Story Of The Black Panther Party, 1970,, 10 x 7 7/16 in., Peoples Press, San Francisco, Collection of Civil Rights Archive/CADVC-UMBC, Baltimore, MD" height="360" width="273" border="1" hspace="5" /></center></p>]]>
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