exhibitions
Image Transfer:  Pictures in a Remix Culture
October 6, 2011 - December 10, 2011

Image Transfer: Pictures in a Remix Culture
Curated by Sara Krajewski; co-organized by Independent Curators International, New York, (ICI) and the Henry Art Gallery, and circulated by ICI.

Image Transfer: Pictures in a Remix Culture spotlights evolving attitudes toward the appropriation, recuperation, and repurposing of extant photographic imagery. Artists, as both producers and consumers in today’s vast image economy, freely adopt and adapt materials from myriad sources. Images culled from the Internet, magazines, newspapers, advertisements, television, films, personal and public archives, studio walls, and from other works of art are all fair game. Image Transfer brings together artists who divert commonplace, even ubiquitous, visual materials into new territories of formal and idiomatic expression.

This exhibition proposes that these artists mark the progression of intuitive practices that are thoroughly at ease with today’s hyper-fluid circulation of images. In our digital age of fair use and open source, these attitudes demonstrate how far traditional notions of the authority and primacy of source materials have shifted toward a fluent rethinking of the way we value and interact with images. Image Transfer will explore several questions. How are artists using clipped, copied, grabbed, or downloaded images, and what do such artistic positions relate to the viewer vis-à-vis the work? How do such synthesized images operate in visual culture? Do these works critique our media-saturated age or are they only symptomatic of it? What can these processes and these composite images tell us about the state of photography today?

Concentrating on a dozen artists, Image Transfer will include photography, painting, drawing, collage, projection, and installation. Growing out of the legacies of Pop, Conceptual Art, the Pictures Generation, experimental film, and avant-garde design, the exhibiting artists employ tactics of transferring, accumulating, and recombining existing images to construct new images, objects, and situations. Notably the techniques of cut-and-paste, re-photography, double exposure, and other object-oriented studio practices commingle with photocopying, scanning, and the commands of editing software. Artists who work across these multiple platforms reflect a systemic evolution that broadly parallels aspects of DJ culture, television and film production, and the DIY movement. The proliferating phenomena of remixes, mash-ups, montage, and collage (and the technologies that enable them) inform an alternative perspective for contemplating developments in visual art in resonance with wide-ranging cultural trends.

RELATED PROGRAMMING AND EVENTS

Sara VanDerBeek

Tues December 6, 4-5 p.m.

In the gallery at CADVC, Sara VanDerBeek will deliver a gallery talk about her work in the exhibition.

VanDerBeek is a New York-based artist who creates photographs of multimedia assemblages consisting of personally significant objects and layered images. Her work has been featured in a number of group and solo exhibitions at the Guggenheim Museum in New York and Bilbao, the Whitney Museum of American Art, the Museum of Modern Art, the Hirshhorn Museum and Sculpture Garden, and the International Center of Photography, New York. Her work is represented by Metro Pictures in New York.

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IMAGE TRANSFER image captions

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