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Theatre
THTR 100 (3.00)
Introduction to Theatre Scenography
A theoretical introduction to the artistic and aesthetic aspects of theatre scenography, which includes the development of stage scenery, props and methodology. Lectures will cover the historical, conceptual and technical characteristics of set design. Students will read and analyze plays from the perspective of a designer and will supplement that study with practical experiences relating to department productions.| Course ID: | 057120 | |
| Consent: | No Special Consent Required | |
| Components: | Laboratory, Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 104 (3.00)
Introduction to Costume
A study of the process involved in the creation of clothing for the stage. The course will examine clothing in its historical context through the use of film, slides, guest lecturers and department productions. Students will learn to read and analyze scripts with an eye to discovering the finer points of gender, class, rank and age. Lab hours will reinforce these concepts by allowing students to work on specific projects related to departmental productions.| Course ID: | 057121 | |
| Consent: | Department Consent Required | |
| Components: | Laboratory, Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 110 (3.00)
Introduction to Acting
Beginning elements of the acting process. Elementary work in the use of texts and physical exploration to gain basic acting tools. This course is intended for the nonmajor.| Course ID: | 057122 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 120 (3.00)
Introduction to Theatre
A course designed to increase the student's awareness and enjoyment of theatre. Attention is given to conventional forms of drama and newer kinds of performance with attention to their sources in theatre history. The students become familiar with how theatre is made and the people who make it: actor, director, writer and designer. The nature of the audience and the relationship of theatre to society are discussed. The students read plays and see films, plays and other theatre events at UMBC and around Baltimore.| Course ID: | 057126 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 120H (3.00)
Introduction to Theatre - Honors
A course designed to increase the student's awareness and enjoyment of theatre. Attention is given to conventional forms of drama and newer kinds of performance with attention to their sources in theatre history. The students become familiar with how theatre is made and the people who make it: actor, director, writer and designer. The nature of the audience and the relationship of theatre to society are discussed. The students read plays and see films, plays and other theatre events at UMBC and around Baltimore.| Course ID: | 057127 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 200 (3.00)
Great Performances
This lecture/demonstration course examines the phenomenon of the performer, from tribal ritual and the shaman to the Hollywood movie and rock video star. Basic elements of the course will include performer's demonstrations, theatre visits, film and video. The course will cover performance styles from a range of cultures, including African and Asian. Some attention also will be given to contemporary film acting and to performers in other such media as dance and rock music.| Course ID: | 057129 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GFR) |
THTR 202 (3.00)
Introduction to Dramatic Literature
This course has two primary goals. The first is to familiarize students with basic methods of reading and analyzing plays. The second is to expose students to a significant number of dramatic texts. Assigned readings, while including classic works, will focus on dramatic literature from the late-19th century to the present.| Course ID: | 057131 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 204 (3.00)
The American Musical
This course will follow the changing form and content of the American musical. After a brief summary of early American musical plays, revues and operettas, the major part of this course will concentrate on innovations that have changed these old forms into the modern musical. These changes also will reflect changing social patterns in the United States. Some original sources will be compared with the resulting musicals. Films, recordings and live singers will be used in the class.| Course ID: | 057132 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 206 (3.00)
Fashion, Costume, and Society
A theoretical introduction to the artistic and aesthetic aspects of fashion. Students will examine the psychology of clothing and how styles developed through different historical periods. Fashion, mirroring societal changes, will be studied as an outcome of class struggle, politics, economics and attitudes toward the human body.| Course ID: | 057133 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 220 (4.00)
Craft of Acting I
Elements of the acting process; centering, concentration and focus; sense and emotional memory; learning to draw upon one's own experience as the basis of performance; gaining access to the unconscious; the attitude of public solitude; following an impulse; gesture and rhythm. Individual and group exercises.| Course ID: | 057136 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 221 (4.00)
Craft of Acting II
Continuation of THTR 220, moving the elements of craft toward specific ideas of performance, the basic act toward the concept of dramatic action. Defining motives for acting: act how? For whom? Under what circumstances? To what end?| Course ID: | 057137 | |
| Consent: | Department Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 220 and THTR 222 with a grade of C or higher. |
THTR 222 (3.00)
Vocal Training for the Actor I
A course designed to expand the vocal range, power and imagination of the actor. Exercises to develop a vocal warmup that focuses on breathing, releasing muscular tension throughout the body, and finding the organic connection between feeling and sound production. Students learn the rudiments of anatomy and physiology in relation to vocal production. Acting improvisations and poetry direct the actor to greater expression.| Course ID: | 057138 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must be concurrently registered in THTR 220. |
THTR 223 (3.00)
Vocal Training for the Actor II
Furthering the techniques learned in THTR 222. Emphasis on exercises that focus on breath management, resonance, articulation and vocal dynamics. Storytelling and texts that are rich in imagery will be used to increase the actor's vocal range and responsiveness.| Course ID: | 057139 | |
| Consent: | Department Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 222 with a grade of C or higher. |
THTR 229 (3.00)
Movement for the Actor
A survey of techniques and methodologies exploring the physical life of the actor. These include a broad selection of traditional and new approaches to physical training designed to promote the creativity, presence, energy and technique of the actor.| Course ID: | 057144 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 230 (3.00)
Drawing for the Theatre
This course is for students interested in learning about the basic elements of drawing as they apply to theatre design. Students will explore problems in rendering three-dimensional objects, tonal and textural values and simple perspective with emphasis on visual analysis of the relationship between form and volume.| Course ID: | 057145 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 231 (3.00)
Drafting for the Theatre
Graphic techniques with major emphasis on theatrical drafting standards. Included are designers' drawings, ground plans, working drawings, elevations and sections. Importance of precise communication of designers' concepts to those constructing scenery and properties stressed.| Course ID: | 057146 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 232 (3.00)
Scene Design
Problems of design and technical theatre are studied, and the use of imagination and research are developed for various periods and styles. Techniques of rendering are discussed and applied. Students begin to design for specific plays.| Course ID: | 057147 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 with a grade of C or higher or have consent of Instructor. |
THTR 233 (3.00)
Costume Design
Fashion design is the first step toward costume design. The purpose of this course is to familiarize the student with the process of designing clothes. Emphasis will be placed upon the art of drawing the human figure. Students will be encouraged to develop both their skills and imagination. The difference between stage costume and fashion - proportion, line, shape and color - will be explored. Assignments will be given in research, experimentation and other related projects. Recommended Preparation: THTR 100, 104 or consent of instructor.| Course ID: | 057148 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 234 (2.00)
Make-up for the Stage
The student develops techniques for creating realistic, stylized and character makeup for the stage. There is an emphasis on practical application and research. Specific projects are assigned.| Course ID: | 057149 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 235 (3.00)
Lighting Design I
A study of the aesthetics and mechanics of lighting design. An examination of the fundamental concepts involved in formulating the lighting design for a theatrical performance. Experiences in basic electricity, the instrumentation and control equipment of lighting, use of color media and the mechanical development of lighting plots required for production. Recommended Preparation: THTR 100 or consent of instructor.| Course ID: | 057150 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 237 (3.00)
Sound Design
A study of the aesthetics and mechanics of sound design. Experience, through lectures and projects, in using the equipment available to the sound designer/technician. Besides familiarization with the manual skills required,the projects are geared to develop an understanding of the conceptual processes of design as they apply to sound.| Course ID: | 057151 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 with a grade of C or higher or have consent of Instructor. |
THTR 239 (3.00)
Movement II: Alexander Technique
Through practical exercises and related reading, the course introduces students to the basic skills of communicating through movement, including: relaxation, coordination and alignment, and spatial relationships. All exercises are based on the principles of the Alexander Technique of movement re-education, which leads to greater poise and physical expression.| Course ID: | 057152 | |
| Consent: | Department Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 240 (3.00)
Oral Interpretation
| Course ID: | 057153 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GFR) |
THTR 241 (4.00)
Theatre Ensemble I
Students will participate in a collaborative and creative process to devise short theatre pieces inspired by a chosen theme or topic. Sources can include literature, visual art, music, current or historical events, or student biographies. Using research assignments, in-class exercises, and improvisation, students will transform source material into original performances. Students will develop acting skills throughout the process.| Course ID: | 100549 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR110 or THTR220 and THTR222 and consent of instructor. |
THTR 242 (3.00)
Presentations Skills for Non-Actors
An introduction to theatre performance skills that can be applied to public presentations. Emphasis is placed on developing greater expressiveness through the study of a range of acting, voice and movement techniques. Students will make presentations in class as they explore the relationship of the speaker/performer to the listener/ audience.| Course ID: | 057154 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 244 (3.00)
Script Analysis
The analysis of major theatrical works from various theoretical perspectives. The purpose of the course is to enable actors, directors, designers and critics to acquire analytic tools necessary to decode the dramatic text and to apply that knowledge to production. Coursework will range from literary and structural analysis to acted excerpts, design renderings and production concepts. Note: may be repeated once for credit. Required of all theatre majors.| Course ID: | 057164 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 250 (3.00)
Introduction to Production Techniques
A practical study of the technical aspects of scenery, costumes and lighting through departmental production crew assignments. The course is intended to teach students the step-by-step process of how a theatre production is mounted from start to finish.| Course ID: | 057156 | |
| Consent: | Department Consent Required | |
| Components: | Laboratory |
THTR 252 (1.00 - 3.00)
Theatre Lab
An elective laboratory course designed to provide students with the opportunity to apply their practical crafts through contracted departmental production projects.| Course ID: | 057157 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 253 (3.00)
Stage Management
An examination of the varied responsibilities and practical techniques of the theatre stage manager. Students will learn the skills for constructing a prompt book, rehearsal schedule, and the different techniques needed for pre-production and rehearsals. Also included will be an exploration of the organizational structures of a theatrical production. Recommended Preparation: THTR 100.| Course ID: | 057158 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 254 (3.00)
Technical Production
An introduction to the basics of theatre technology and production management, including the role and responsibilities of the technical director. Topics will include the application of computer programs such as Microsoft Word, Microsoft Excel and CAD. Hands-on experience with welding and advanced carpentry also will be covered. Recommended Preparation: THTR 100, 250 and 231.| Course ID: | 057159 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 260 (4.00)
Introduction to Play Production
| Course ID: | 057160 | |
| Consent: | No Special Consent Required | |
| Components: | Laboratory, Lecture | |
| Attributes: | Arts and Humanities (GFR) |
THTR 261 (1.00)
Theatre Production: Running Crew
A practical study of the backstage support needed to present a departmental production. Through various crew assignments, students will learn the step-by-step process of how a theatre production is presented.| Course ID: | 100557 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 or THTR 104. |
THTR 262 (1.00)
Theatre Production: Lighting and Sound
A practical study of the technical aspects of lighting through departmental production crew assignments. Students will learn how a production is lit, beginning with a lighting plot and ending with the fully realized lighting design as seen on stage.| Course ID: | 100558 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 or THTR 104. |
THTR 263 (1.00)
Theatre Production: Costumes
A practical study of the technical aspects of costumes through departmental production crew assignments. Students will learn how costumes are constructed and will develop skills needed to assist those constructions. Students will learn the process of costume construction from design to finished costume worn on stage.| Course ID: | 100559 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 or THTR 104. |
THTR 264 (1.00)
Theatre Production: Scenery
A practical study of the technical aspects of stage scenery through departmental production crew assignments. Students will learn the step-by-step process of mounting a theatre production from blueprints to completed structures on stage.| Course ID: | 100560 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 100 or THTR 104. |
THTR 270 (3.00)
Theatre into Film
An examination of films that are based on significant theatrical texts. Selected plays are read, analyzed and then compared with screen treatments shown in class. Cinematic and theatrical techniques are discussed and evaluated. Plays are chosen from an international list and from various time periods and genres. Open to all students.| Course ID: | 057161 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 310 (3.00)
History of the Theatre I
A study of the evolution of theatre from the ancient world to the Renaissance. Students read a series of plays by the major playwrights. These are discussed as reflections of the changing physical theatre, as well as the social, political and artistic currents of each period. The emphasis is on the theatre of the West, although the course may trace conventions and consider some of the drama from the theatre of the East and other non-Western traditions. Recommended Preparation: THTR 244, Script Analysis, or consent of the instructor. Note: Required of all theater majors.| Course ID: | 057134 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 311 (3.00)
History of the Theatre II
Post-Renaissance theatre through the rise of realism and naturalism to the grounds of modern theatre practice. The course relates dramatic literature to emerging ideas of acting, directing, stage design, as well as new forms of theatre architecture and new concepts of performance. As in THTR 310, tendencies in the theatre are examined in view of the changing social and cultural scene. Recommended Preparation: THTR120 or THTR202 or THTR310 or instructor consent. Note: required for all theatre majors.| Course ID: | 057135 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 315 (3.00)
Alexander Technique for Musicians
This course is offered to singers and instrumentalists who are interested in learning how the Alexander technique can enhance performance skills and reduce performance anxiety and tension while playing or singing. Through group activities, observation and individual work, students will learn about Alexander technique principles and how they apply to various aspects of practicing and performing. Students will gain a basic understanding of the fundamentals of anatomy and body mapping and how this information can impact their performance. Recommended Preparation: Four semesters of individual performance studies of primary instrument or permission of instructor| Course ID: | 050215 | |
| Consent: | Department Consent Required | |
| Components: | Lecture | |
| Same as Offering: | MUSC 315 |
THTR 321 (4.00)
Char & Scene Study II
| Course ID: | 100545 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 324 (4.00)
Craft of Acting III
Continuation of THTR 221. Integration of improvisatory skills into scene study. Recommended Preparation: THTR 221, 223 and/or consent of instructor.| Course ID: | 057165 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 325 (3.00)
Vocal Training for the Actor III
Emphasis is placed on the integration of the actor's voice and body with those images, feelings and thoughts that are triggered by complex texts. Introduction to concepts and uses of the International Phonetic Alphabet (IPA). Explorations will focus on classics and non-realistic writings of modern and contemporary playwrights. Recommended Preparation: THTR 222 and 223.| Course ID: | 057166 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 329 (3.00)
Movement for the Actor III
Development of movement skills related to the creation of specific characters, the parameters of specific genres and the demands of specific performance styles.| Course ID: | 057167 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 330 (3.00)
Scene Painting
Various techniques for painting scenery are explored, as well as methods of transposing rendering concepts. Studies of the use of different materials tocreate various visual effects.| Course ID: | 057168 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 331 (3.00)
Pattern Drafting
Topics covered include creation of patterns from original garments, period pattern research and individual interpretation of source materials. Assignments develop practice in drafting, draping, fitting and altering both men's and women's period garments.| Course ID: | 057169 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 332 (3.00)
Advanced Scene and Costume Design
Students continue to study costume and scene design and history, with an emphasis on the illustration of a range of periods and styles of drama. Costume design students examine characterization and receive practice in the execution of costumes and building techniques. Scene design students explore rendering skills and working drawings for plays studied in class. Each student will be assigned extensive individual projects on a play read outside of class. Students also may be required to do construction work on theatre department productions.| Course ID: | 057170 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 231 or THTR 232. |
THTR 333 (3.00)
Drawing for the Theatre II
| Course ID: | 057171 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 335 (3.00)
Advanced Lighting Design
A continuation of the process of developing an aesthetic sense of lighting design. Projects involve working from a script through the conceptual process to the final product - complete lighting designs for production. Repeat students will complete highly complex design assignments involving work in special effects, timing and executing lighting movement sequences. Recommended Preparation: THTR 235 and consent of instructor.| Course ID: | 057173 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 337 (3.00)
Advanced Sound Design
A continuation of the process of developing an aesthetic sense of sound design. Projects working from textual bases to complete sound designs involving mood, locational stimuli, sound as texture, etc. Repeat students will study in the area of synthesized non-realistic aural stimuli, acoustics, systems for production and performance. Recommended Preparation: THTR 237 and consent of instructor.| Course ID: | 057174 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 339 (2.00 - 6.00)
Advanced Production Techniques
A laboratory course designed to give advanced theatre students an opportunity to apply their studies in the design and technical aspects of theatre production. Students enrolled are expected to contribute significantly to actual productions as assistant designers, crew heads and in the coordination of major elements of the production process. Recommended Preparation: THTR 100, 104, 250 and one design course.| Course ID: | 057175 | |
| Consent: | Department Consent Required | |
| Components: | Lecture |
THTR 345 (3.00)
Auditioning and the Business of Acting
This course is intended for all those who wish to prepare themselves for careers as professional actors. The ability to audition well is a critically important skill for the performer. Students will explore and rehearse audition material; acquire the skills for cold readings; and investigate the business side of the actor's life, including writing resumes, acquiring an agent, etc. When available, visiting professionals will contribute to course instruction.| Course ID: | 057179 | |
| Consent: | Department Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 324 with a grade of C or higher. |
THTR 346 (3.00)
Theatre and Social Development
This course will teach theatre students how to apply their artistic knowledge toward creating and developing skills in P-12 students. Course work will be at UMBC and in selected P-12 schools in the Baltimore area. UMBC students will study practices and theories incorporating theatre and social development, as they learn how to create theatrical productions in P-12 classrooms. UMBC students will then craft theatrical productions with P-12 students and evaluate their social growth. The course will also examine career options in theatre and social development.| Course ID: | 057180 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 347 (4.00)
Character and Scene Study I
Building a character and playing the scene. Exercises in observation, behavior patterns, diction, the psychology of character, problems of motivation, the division of action into units and objectives. Gradually, the student learns to define an action through given circumstances and develop the arc of performance in a particular setting.| Course ID: | 057181 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 324 with a grade of C or higher. |
THTR 348 (4.00)
Character and Scene Study II
| Course ID: | 057182 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 349 (3.00)
Gender, Sex and Theatre Performance.
The course explores representations of both gender and sexual identity in contemporary Western theatre and performance art. Specifically, we will study how representations of gender and sexuality in performance both replicate and resist normative roles and stereotypes. The course investigates feminist and queer critiques of theatrical performance, as well as the meaning of female and queer characters in dramatic literature and their embodiment on the stage.| Course ID: | 050110 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Same as Offering: | GWST 349 | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 350 (4.00)
Directing I
In this course, we examine the basic skills and techniques involved in directing for performance, including the reading and selection of scripts, casting, blocking, and working with the actors and designers. The student also is given the opportunity to select a short script and to direct it for presentation at the end of the semester.| Course ID: | 057183 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 353 (3.00)
Advanced Stage Management
An examination of the role of stage manager in any theatrical event, with particular focus on the relationships between the stage manager and the other production artists and the necessary techniques for running a performance. Professional guest artists will attend classes, and students will visit professional theatres to observe the workings of the production team. Recommended Preparation: THTR 253 or consent of instructor| Course ID: | 057185 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 354 (3.00)
Advanced Technical Production
A continuation of the skills learned in THTR 254, with additional topics covered including theatre rigging, structural design, CAD and special effects. Students will meet with professionals and visit other theatres to observe the workings of the backstage. Recommended Preparation: THTR 254.| Course ID: | 057186 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 364 (3.00)
History of American Theatre
A history of American theatre and its drama from 1700 to the present. Writers such as O'Neill, Hellman, Williams, Miller and August Wilson will be discussed. Recommended Preparation: Three-credit theatre course, a 200-level literature course or consent of instructor.| Course ID: | 057191 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 365 (3.00)
Modern American Theatre
A study of American dramatic literature from the works of Eugene O'Neill to the present. Social, economic and artistic influences will be examined. Recommended Preparation: THTR 202, 210, 211 or consent of instructor.| Course ID: | 057192 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 370 (3.00)
Theatre Practicum
This course focuses on ways of teaching theatre techniques in high school drama classes. Emphasis is placed on pedagogy used in bringing plays to life, beginning with script analysis, including acting, voice, movement techniques, set and costume construction skills, use of lighting and sound, through putting a play on stage. The course includes defining objectives, constructing lesson plans and units, and examining different forms of evaluation. Classes include discussion, observation and practical experience. Recommended Preparation: THTR 250, THTR 350 or consent of the instructor.| Course ID: | 057194 | |
| Consent: | No Special Consent Required | |
| Components: | Laboratory |
THTR 371 (3.00)
Playwriting
A creative writing course where students develop the skills essential to the discipline of dramatic writing. Special attention is given to understanding dramatic form and structure. Students learn the process of playwriting while completing several short plays and learning to effectively critique dramatic texts. Recommended Preparation: Any 200-level literature course and consent of the instructor.| Course ID: | 057195 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Arts and Humanities (GFR) |
THTR 380 (3.00 - 6.00)
Performance Laboratory
This course is designed for small-scale investigations into the nature of performance in which students uses their specific skills to act and design. Faculty will direct the formation of the projects and participate in the critical viewings of the work. Recommended Preparation: All 200-level core work and consent of instructor.| Course ID: | 057196 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 390 (2.00 - 6.00)
Theatre in Production
An advanced practical course designed to develop skills in the preparation and performance of production materials. The course will culminate with a series of public performances.| Course ID: | 057198 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 400 (1.00 - 6.00)
Theatre Studies
Individual projects designed to suit particular interests and abilities of the student.| Course ID: | 057199 | |
| Consent: | Department Consent Required | |
| Components: | Independent Study |
THTR 410 (3.00)
Modern Theater I: Social Protest
An exploration of one major thrust of modern theatre - the desire to create social change. The course will select from the works of Ibsen, Shaw, Brecht, Odets, Miller, Churchill, Fugard, Soyinka, Smith or other playwrights. The selected writers will be considered in the context of historical events, artistic movements, and relevant philosophical and social thought - including issues of race, class and gender - from the late- 19th century to the present. Required for theatre majors but open to all students. Recommended Preparation: One 200-level literature course in THTR, ENGL, MLL or CPLT, completed with a grade of C or better| Course ID: | 057187 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Writing Intensive, Arts and Humanities (GFR) |
THTR 411 (3.00)
Modern Theatre II: The Interior World
An exploration of one major thrust of modern theatre - the need to understand human action and identity in the face of the ontological uncertainty and alienation of modern life. The course will select from the works of Strindberg, Pirandello, Williams, Beckett, Fornes, Mamet or other playwrights. The selected writers will be considered in the context of the artistic movements and relevant currents of philosophical, psychological and social thought from the late 19th century to the present. Required for theatre majors but open to all students. Recommended Preparation: One 200-level literature course in THTR, ENGL, MLL or CPLT, completed with a grade of C or better| Course ID: | 057188 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Attributes: | Arts and Humanities (GEP), Writing Intensive, Arts and Humanities (GFR) |
THTR 420 (3.00)
Styles of Acting
A consideration of the problems particular to specific styles of acting or modes ofperforming. The possible areas of exploration are as various as the theatre itself, but in general, the class concentrates on specific genres of theatre or on individual writers with distinct stylistic identities. Recommended Preparation: All 300-level core acting/voice/movement courses and consent of instructor.| Course ID: | 057201 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 421 (3.00)
Acting Shakespeare
A consideration of the problems and challenges inherent in acting Shakespeare's plays. Concentration on scene study. Recommended Preparation: All 300-level core acting/voice/movement courses or consent of instructor.| Course ID: | 057202 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 432 (1.00 - 4.00)
Design Seminar
This class is for advanced scenic, costume, lighting and sound design majors. Students develop their design skills through a series of assignments. Class discussion, critique and practical expertise are emphasized. Students may be assigned to design or assist departmental productions.| Course ID: | 057205 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 434 (3.00)
Introduction to Draping
This course teaches students how to make patterns for theatrical costumes. Students will learn how to manipulate fabric on a three' dimensional form, appreciate the importance of the grain of fabric in relation to the design, develop a sense of proportion and the placement of style'lines, create basic patterns from foundation shapes, and learn the basics of fitting garments to the human form.| Course ID: | 100505 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Requirement Group: | You must complete THTR 104, THTR 233, THTR 331 with a C or better. |
THTR 450 (1.00)
Senior Project
In consultation with a faculty advisor or instructor, all theatre majors must conceptualize and do research leading to a solo performance or portfolio presentation that will be reviewed and critiqued by theatre faculty. Once approved, the presentation will be developed by the student with minimal faculty supervision. These presentations must be given their initial showings in the fall or spring semester preceding the semester of the student's graduation. If a student does not receive a grade of C or better for their presentation (or for a BFA student, a grade of B or better)the work will have to be reviewed again in the same or following semester.| Course ID: | 057209 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 460 (3.00)
Theatre Capstone
This is an advanced level course for theatre students close to graduation. The course will help students to articulate their artistic values, to recognize the range and kinds of skills they have acquired in their theatrical training, and to plan a career path in theatre or a related field. The course has two major components: (1) reading, discussing and writing about the artistic visions formulated by recognized theatre artists, and (2); a series of guest lectures by theatre professionals and by others theatrically trained, but with careers in other professions. Students will be required to write papers and make oral presentations as they define their own artistic aesthetic and plan for the future. Students will be required to compile a final presentation project based on their ideas and goals. Recommended Preparation: At least junior status, THTR 202, and THTR 244, and THTR 310 , and THTR 311, or consent of instructor.| Course ID: | 100303 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 470 (1.00 - 4.00)
Drama Seminar
A seminar on a special topic announced in advance of the term during which the course is offered.| Course ID: | 057211 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture | |
| Topics: | Drama Seminar, Draw And Paint Human Fig, Understand Theatre Today, Sem: Writing/ Blk Thtr, Stage Combat, Art Of Make-Up For Stage, Contemp American Drama, Thtr&Costume Tour London, Thtr Of Samuel Beckett, Prep Technqs-Play Prod, Seminar:Combat, Student Projects, Sem: Rise Of Modrn Drctr, Seminar: Combat Class, Alexander Technique, Working With Cadd, Understanding Theatre, Draw/Paint Human Body, Theatre/Social Change, Sem:Costume Construction, Drama Sem:Combat Class, Sem: Mime Studies, Drama Seminar: Alex Tech, Sem: History Of Costume, Theatre Projects, Dram Sem:Light & Sound, Sem: Shakespeare, Theatre In Baltimore, Senior Capstone, Play Development, Japanese Performance |
THTR 471 (3.00)
Advanced Playwriting
An advanced creative writing course where students practice dramatic structure and the process of playwriting. Students learn the craft and discipline of developing a dramatic text through the revision and completion of a full-length play. Recommended Preparation: THTR 371 or consent of instructor.| Course ID: | 057212 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |
THTR 490 (2.00 - 6.00)
Production Workshop
The workshop is intended for advanced actors. Beginning with a play, participants spend the term exploring a social and historical context for the script, as well as studying the writer's background. The research is incorporated into the rehearsal process, which culminates in a fully staged production.| Course ID: | 057214 | |
| Consent: | No Special Consent Required | |
| Components: | Lecture |