References

      

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Baud-Bovy, Samuel. 1984. An essay on the Greek Folk Song. Nafplio: Peloponnisiako Laographiko Idryma.

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Bauman, Richard and Joel Sherzer (eds.) 1989. Explorations in the Ethnography of Speaking (second edition). Cambridge: Cambridge University Press.

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Behar, Ruth. 1995. “Rage and Redemption: Reading the Life Story of a Mexican Marketing Woman.” In: The Dialogic Emergence of Culture, edited by Dennis Tedlock and Bruce Mannheim, pp. 148-79. Urbana and Chicago: University of Illinois Press.

Bourdieu, Pierre. 1977. Outline of a Theory of Practice. Cambridge: Cambridge University Press.

Clifford, James. 1988. The Predicament Of Culture. Twentieth-Century Ethnography, Literature, and Art.  Cambridge, Massachusetts, and London: Harvard University Press.

______. 1986. “On Ethnographic Allegory.” In: Writing Culture. The Poetics and Politics of Ethnography, edited by James Clifford and George Marcus, pp. 98-121. Berkeley and Los Angeles: University of California Press.

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______. 1997b. “Commentary on the Songs. Musicians and Singers.” In: Lesbos Aiolis. Songs and Dances of Lesbos. Iraklio, pp.69-122. Crete University – University of the Aegean/Research Unit.

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______. 1987. “Dialogic Editing: Interpreting how Kaluli Read Sound and Sentiment.” Cultural Anthropology 2(2): 190-210.

______. 1982. Sound and Sentimen: Birds, Weeping, Poetics and Song in Kaluli Expression. Philadelphia: University of Pennsylvania Press.

Hill, Jane H. 1995. “The Voices of Don Gabriel: Responibility and Self in a Modern Mexicano Narrative.” In: The Dialogic Emergence of Culture, edited by Dennis Tedlock and Bruce Mannheim, pp. 97-147. Urbana and Chicago: University of Illinois Press.

Htouris, Sotiris and Christina Varkaraki. 2000. “Politismikes praktikes, politismika diktya kai koinoniki diaforopoiisi” (Cultural Practices, Cultural Networks and Social Differentiation). In Mousika Stavrodromia sto Aigaio (Musical Crossroads in the Aegean), edited by Sotiris Htouris, pp. 27-102.  Athens: Eksantas. 

Hymes, Dell. 1981. “In Vain I Tried to Tell You”: Essays in Native American Ethnopoetics. Philadelphia: University of Pennsylvania Press.

______. 1974. Foundations in Sociolinguistics: an Ethnographic Approach. Philadelphia: University of Pennsylvania Press.

Kavouras, Pavlos. 2003. “To parelthon tou parontos. Apo tin ethnographia kai tin epitelesi tis mousikis stin epitelesi tis mousikis ethnographias” (The Past in the Present. From the Ethnography and the Performance of Music to the Performance of Musical Ethnography). In To Paron tou Parelthontos. Istoria, Laografia, Koinoniki Anthropologia (The Present of the Past. History, Folklore, Social Anthropology), pp. Athens: Etaireia Spoudon Neoellinikou Politismou kai Genikis Paideias.

______. 2000. “To ghlendi sti Lesvo (19th-20th c.)” (The ghlendi in Lesbos (19th-20th c.). In: Mousika Stavrodromia sto Aigaio (Musical Crossroads in the Aegean), edited by Sotiris Htouris, pp. 173-242.  Athens: Eksantas. 

______. 1999. “The Biography of a Folk Musician: Ethnographic Interpretation, Field Research and Fiction.” In: The Musics of Thrace. An Interdisciplinary Approach: Evros, pp. Athens: Τhe Friends of Music Society – Research Programme ‘Thrace’.

______. 1997b. “Ta dromena apo ethnographiki skopia: methodoi, tehnikes kai provlimata katagrafis.” (Ritual Performances in Ethnographic Perspective: Methods, Techniques and Problems of Recording). In: Dromena: Sigxrona Mesa kai Tehnikes Katagrafis tous (Ritual Performances: Modern Tools and Techniques of their Recording). Proceedings of the First International Conference, 4-6 October 1996, pp. 45-80.  Komotini: Kentro Laikon Dromenon.

______. 1997a. “I ennoia tou mousikou diktyou: sxeseis paragogis kai sxeseis eksousias.” (The Notion of Musical Network: Relations of Production and Power Relations.)   In: Diktya epikoinonias kai politismou sto Aigaio (Networks of Communication and Culture). Proceedings of the Third Symposium for the Aegean Culture in Samos Island, pp. 39-69.  Athens: Pnevmatiko Idryma Samou “Nikolaos Dimitriou”.

______. 1996b. “Mondernismos kai politismiki anthropologia” (Modernism and Cultural Anthropology).  In: Mondernismos: i ora tis apotimisis? (Mondernism: the Time of Assessment?), pp. 79-116.  Athens: Etaireia Spoudon Neoellinikou Politismou kai Genikis Paideias.

______. 1996a. “To karpathiko ghlendi os teletourgia kai parastasi: mia kritiki proseggisi tou symvolismou ton paradosiakon telestikon technon.” (The Karpathos ‘Ghlendi’ as Ritual and Performance: a Critical Anthropological Approach to the Symbolism of the Traditional Performing Arts).  In: Laika dromena: palies morfes kai sygxrones ekfraseis (Folk Ritual Performances: Old Forms and Modern Expressions). Proceedings of the First Conference, pp. 65-81. Athens: Ministry of Culture Department of Folk Culture.

______. 1995. “To Aigaio os eniaia politismiki perioxi: mia kritiki anthropologiki proseggisi.” (The Aegean as a unified culture area: a critical anthropological perspective). In: Aksones kai proypotheseis gia mia diepistimoniki erevna (Orientations and Prerequisites for an Interdisciplinary Research) Proceedings of the Second Symposium for the Aegean Culture in Samos Island, pp. 17-36.  Athens: Pnevmatiko Idryma Samou “Nikolaos Dimitriou”.

______. 1994b. “Tragoudontas ton kosmo: proforiki poiisi kai istoria stin Olymbo Karpathou.” (Singing the world: Oral poetry and history in Olymbos, Karpathos) In: Afigimatikotita, istoria kai anthropologia (Narrative, History and Anthropology), edited by R. Benveniste and Th. Paradellis, pp. 40-163. Mytilini: University of the Aegean.  

______. 1994a. “Where the community reveals itself: Reflexivity and moral judgment in Karpathos, Greece.” In: Social Experience and Anthropological Knowledge, edited by Kirsten Hastrup and Peter Hervik, pp. 139-165. London: Routledge.

______. 1993. “Aftosxedio dialogiko tragoudi kai ghlentikos symvolismos stin Olymbo Karpathou.”(Extempore Dialogical Song and the Symbolism of the Ghlendi in Olymbos, Karpathos). In: Ethnologia 2: pp. 155-200.

______. 1992. “Dance at Olymbos, Karpathos: cultural change and political confrontations.” Ethnografica (Nafplion, Greece) 8: 173-190.

______. 1991. Ghlendi & Xenitia: The Poetics of Exile in Rural Greece (Olymbos, Karpathos).  Doctoral dissertation, New School for Social Research. Ann Arbor, Michigan: U.M.I.

Keil, Charles and Steven Feld. 1994. Music Grooves: Essays and Dialogues. Chicago: University of Chicago Press.

MacCannell, Dean. 1992. Empty Meeting Grounds. The Tourist Papers. London: Routledge.

Mannheim, Bruce and Dennis Tedlock. 1995. “Introduction.” In: The Dialogic Emergence of Culture, edited by Dennis Tedlock and Bruce Mannheim, pp. 1-32. Urbana and Chicago: University of Illinois Press.

Maranhão, Tullio. 1990. “Introduction”. In: The Interpretation of Dialogue, edited by Tullio Maranhão, pp. 1-24. Chicago: The University of Chicago Press.

Marcus, George E. and Michael M. J. Fischer. 1986. Anthropology as Cultural Critique. Chicago: The University of Chicago Press.

Ortner, Sherry. 1984. “Theory in Anthropology since the Sixties.” Comparative Studies in Society and History 26: 126-66.

Papageorgiou, Dimitris. 2000. “Oi Mousikes Praktikes” (The Musical Practices). In Mousika Stavrodromia sto Aigaio (Musical Crossroads in the Aegean), edited by Sotiris Htouris, pp. 103-172.  Athens: Eksantas.

Rabinow, Paul and William M. Sullivan (eds.). 1979. Interpretive Social Science, a Reader. Berkeley: University of California Press.

Sant Cassia, Paul. 2000. “Exoticizing Discoveries and Extraordinary Experiences. ‘Traditional’ Music, Modernity and Nostalgia in Malta and other Mediterranean Societies.” Ethnomusicology  44(2): 281-301.

Tannen, Deborah. 1995. “Waiting for the Mouse: Constructed Dialogue in Conversation.” In: The Dialogic Emergence of Culture, edited by Dennis Tedlock and Bruce Mannheim, pp. 198-217. Urbana and Chicago: University of Illinois Press.

Todorov, Tzvetan.1984. Mikhail Bakhtin. The Dialogical Principle, translated by Wlad Godzich. Minneapolis: The University of Minnesota Press.

Whalley, George. 1967. Poetic Process. An Essay in Poetics. New York: Meridian.
 

MULTIMEDIA REFERENCES

Photos and audio matterial (Lesbos)
Dionysopoulos, Nikos. 1997. Lesbos Aiolis. Songs and Dances of Lesbos, 2 CD box set with booklet. Iraklio: Crete University – University of the Aegean/Research Unit.

Video (Karpathos)
Prearis, Ioannis. 1988. The Olymbos Ghlendi. Home video.


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