EOL 8: Birth of a New Mode? (Dujunco)

Works Cited

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Chen, Tianguo. 1981. Chaozhou sixianyue de bianzou he jiahua (Variation and ornamentation in Chaozhou string ensemble music), Minzu Minjian Yinyue 3:57-76.

_____. 1988. Chaozhou sixianyue de "cui." (The cui technique in Chaozhou string ensemble music)  Xinghai Yinyue Xueyuan Xuebao 2:25-28.

_____. 1989 Ersipu shi gongxian yueqipu (Ersipu, a notation system for bowed string instruments). Minzu Minjian Yinyue 3:15-18.

Chen, Wei. 1983. Chaozhou yinyue de qushi jiegou ji banshi guilü (The melodic structure and rhythmic patterns of Chaozhou music). Zhongguo Yinyue 4:65-67.

_____. 1986. Yetan Chaozhou yinyue de "ersipu" ji jige diao de "qing," "zhong," "huo" he diaoxing wenti (A discussion of some of the modal issues relating to ersipu notation in Chaozhou music). Yinyue Yanjiu 1:99-103.

Dujunco, Mercedes. 1994. Tugging at the Native's Heartstrings: Nostalgia and the Post-Mao "Revival" of the Xian Shi Yue String Ensemble Music Tradition of Chaozhou, South China. Unpublished Ph.D. dissertation (Music), University of Washington.

______. 1995. ibid. [enhanced dissertation abstract]

Gao, Houyong. 1981. Minzu qiye gailun (An introduction to Chinese folk instrumental music). Nanjing: Jiangsusheng Xinhua shudian faxing.

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Powers, Harold. 1980. Mode. In Stanley Sadie, ed. The New Grove Dictionary of Music, Vol. 12. London: Macmillan.

Qureshi, Regula. 1987. Musical Sound and Contextual Input: A Performance Model for Musical Analysis. Ethnomusicology 31(1):56-86.

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Ye, Dong. 1983. Chaozhou xianshiyue, Guangdong xiaoqu (Types and forms of Chinese folk instrumental music). Chap. 11, Minzu qiyue de ticai yu xingshi. Shanghai: Shanghai wenyi chubanshe.

Yung, Bell. 1984. Choreographic and Kinesthetic Elements in Performance on the Chinese Seven-String Zither. Ethnomusicology 28(3):505-517.
 

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