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Beken, Münir and Karl Signell. 2006. "Confirming, delaying, and deceptive elements in Turkish improvisation." Maqām Traditions of Turkic Peoples. Edited by Jürgen Elsner and Gisa Jänichen. Berlin: trafo.

Clayton, Martin R.L. 1996. "Free Rhythm: Ethnomusicology and the Study of Music without Metre." Bulletin of the School of Oriental and African Studies, University of London 59 (2) 323-332.

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Perlman, Marc. 2004. Unplayed melodies: Javanese gamelan and the genesis of music theory. Berkeley: University of California Press.

Powers, Harold. 1988. "’International Segah’ and its nominal equivalents in Central Asia and Kashmir," in Maqām Rāga Zeilenmelodik, Materialen der 1. Arbeitstagung der Study Group "Maqām” beim International Council for Traditional Music, 1988 in Berlin ([East] Berlin 1989 / appeared March 1991), 40–85.

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———. 1987. The Nature of Music (12 half-hour audio documentaries originally broadcast on non-commercial radio in USA and Australia. Listener's guide online at <http://www.umbc.edu/eol/nom/nomguide.html>.
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———. 1977. Makam: Modal practice in Turkish art music. College Park, Md (USA): Asian Music Publications. (reprinted 1986 by Da Capo Press, New York; reprinted 2004 in CD-ROM format and online by Usul Editions, Florida, summarized in "Contemporary Turkish Makam Practice," Garland Encyclopedia of World Music: The Middle East. Routledge 2002, pp. 47–58. ; published 2006 in Turkish translation as Makam: Türk Sanat Musikisinde Makam Uygulaması. Istanbul: Yapı Kredi Yayınları.

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Vicente, Victor Amaro. 2007. "The Aesthetics of Motion in Musics for the Mevlana Celal ed-Din Rumi." (PhD dissertation, University of Maryland College Park, MD, USA. Accessible at <https://drum.umd.edu/dspace/handle/1903/7198>)

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