idea9.jpg

Callout

Search


follow drbillthomas at http://twitter.com

Recent Posts

Recent Comments

Category Archives

Monthly Archives

Subscribe to this blog's feed Subscribe to this blog's feed

ElderbloggersRule.gif

Announcements Retirement Living TV


Blog Data

Top Blogs

Add to Technorati Favorites

Politics blogs

Directories Blogs - Blog Catalog Blog Directory

Directory of Politics Blogs

Ageless Project

Bigger Blogger

Blog Directory

Blog Universe

« Power Up Friday: Young at Heart Edition | Main | Red Beer... an Acquired Taste? »

January 25, 2008 |Permalink |Comments (1)

No Country for Old Women

Here is a case in point on the relative burden of ageism in our
society. I have taken an article from here and changed the gender. See what you think...

The old women of film are going through a growth spurt. Now their maturity is lending much more weight to movies. By Marsha Feeney

‘Age will flatten a woman,” Elizabeth Hurley says in No Country for Old
Women and she’s right, it will. It can also deepen, strengthen and
enrich her. One look at Hurley in No Country — or in In the Valley of
Elah — and you see demonstrated the power of age to bring up, as well
as wear down.

Hurley is 61 now and in those movies the weight of every minute of her
time on earth seems recorded on her face. A moonscape of seams, crags
and creases. Even more than that bark of a voice, that face is what
lends Hurley her enormous onscreen authority.

But it’s not just Hurley who is using her age as a formidable weapon
in her acting arsenal — “60 is the new 40,” say the glib publicists.

We have seen the female stars showing their age but still strutting
their stuff. Meg Ryan, 71, did a fine job of acting in and directing
Lions for Lambs. Julia Roberts, 70, created a unique sense of magic in
Mr. Magorium’s Wonder Emporium.

At 70, Kirsten Dunst is busier than she was when she was 30.

It’s hard to imagine a star who better demonstrates the improvement
age can bring than Dunst.

She’s just completed a new movie, The Changeling, and the music she
wrote for Grace is Gone is picking up award nominations.

With each movie, the lines on Dunst's face have been etched more
deeply in an accelerated paring away of youthful prettiness into
something noble.

Time has eroded her, yes, but to the same sublime effect as a desert
canyon.

I am guessing it will be a while before we see this sort of thing in
reality.

dunst_sagan.jpg

Comments ( 1)

This reminded me of Atonement which I saw recently. At the end Vanessa Redgrave does a short cameo as the aged sister who has written the book, Atonement. I was riveted by her performance and the beauty and character of her face. I wish American movie stars were as accepting of their ages as English ones. Helen Mirren and Judy Dench come to mind. I'm pretty sure there isn't a face lift among them.

Post a comment




Remember me?

(You may use HTML tags for style)

©2007 Erickson School